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Parable of Black Man and Block Man & Parable of the Rats

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When a fool is told a parable, it's meaning must be explained to him.--African proverb


You got black man and block man.

Watch out for block man!

--Sun Ra


There was a black man and a block man, both were black men, but block man had a big block head. He used to stand at the crossroads waiting for black man to come through so he could block him from going in any direction. If black man tried to go east, west, north or south, the playa hatin, jealous, envious block man would cause black man to either stop, stumble or fall.


Sometimes black man would purposely fall because he knew the African proverb that to stumble or fall is only to go forward faster. So after being blocked at one turn, he would fake a fall and go forward on his journey up the hill.

Of course block man would be waiting for him at a pass up the hill and again try to block black man from going farther. But black man, being athletic, was able to leap to the side and gracefully go pass block man.

And even though block man had a lot of friends who were blockheads too, black man had friends in the sun, moon and stars who watched out for him.

Black man had friends in the wind, seas, rivers, trees and all over the earth. So block man didn't have a chance with his evil scheme to block black man. All black man had to do was flow in the flow and make sure he wasn't swimming against the current of the universe, for in the counter flow the block men were waiting patiently for him, sharpening their knives, ready to remove the heart and soul of black man.

So black man planned and block man planned, but black man was the best planner. As long as his mind remained clean and sober, he could see block man coming a mile way.

Parable of the Rats by Marvin X



The rats all have the same gait: they scurry about, back broken by an abundance of lies, half-truths and disinformation, defamation and other tactics of rat behavior. Even their facial expressions have a rat like appearance, so you can see them coming a mile away. You can smell a funky rat. We suspect the two legged variety even has a tail hidden inside their pants or underneath their dresses, yes, there are rats of every gender, every color, class. Some are sewer rats, some are wharf rats, some are subway rats, church rats, house rats. But their behavior is the same. They are on the lower level of humankind, these two legged rats. They can do nothing right. They cannot give justice even with the scale in view while they weigh goods. They will lie while you look at them playing with the scale. They will try to convince you the scale doesn't work while it is their minds that have not evolved to work on the human level.

There is only one thing to do with such rats: set a trap for them or feed them poison cheese and watch them puke and vomit until they die. Better yet, let the cat catch their asses. It is beautiful watching the cat catch a rat, seeing how still the cat will become while stalking his prey. But the cat will lie in wait for the rat as long as it takes, never moving, never batting his eye. And then he leaps upon his prey and devours him. It is a beautiful sight when when the cat and rat game reaches the climax and ends with the consumption of the rat by the cat.
--Marvin X
7/15/15 







Marvin X is known variously as El Muhajir (the migrant), Plato Negro, Rumi, Jeremiah. His outdoor classroom is at 14th and Broadway, downtown Oakland. Ishmael Reed says, "If you want to learn about motivation and inspiration, don't spend all that money going to workshops and seminars, just go stand at 14th and Broadway and watch Marvin X work. He's Plato teaching on the streets of Oakland!"

Marvin X invited to Visioning Session at Oakland's Flight Deck Theatre

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 VIP hour Accelerator 2016

Art at the Center of Downtown’s Public Life: A Creative Visioning Session Oakland is changing. We all know it. Buildings are going up, businesses are opening, new people are coming in, and some folks who have been here for a long time are getting pushed out. There’s a sense of opportunity and a sense of fear. Who will get a share of the new prosperity? In Oakland, like in so many urban areas, artists have been central in making the place desirable - so often, people reference diversity and arts & culture when they talk about why they love Oakland. But as new money comes in and rents rise, artists and arts organizations are often some of the first to be displaced. At this moment when so much is changing for Oakland, and when the city is creating a new Downtown Specific Plan, how can we make sure that the arts remain at the center of public life in Oakland, and that they continue to grow in ways that are equitable and rooted in Oakland’s rich culture and history?


As the opener to The Flight Deck’s annual Accelerator event on February 6th, we are inviting our guests to join in a visioning session on the future of the arts in Downtown
Oakland. Experts in various fields will provide context and give their perspective on
these issues, and then participants will work in groups to creatively develop a vision for
placing the arts at the center of public life in Downtown Oakland’s changing landscape.
The process will marry elements of ensemble theater techniques and urban planning
design charettes. This session will serve as a pilot - an experiment in process that could
be duplicated in other contexts if it is effective.
Time: 5-6pm
Saturday, February 6, 2016
Facilitator: Anna Shneiderman, Executive Director, Ragged Wing Ensemble & The Flight
Deck
Panelists:
1. Robert Ogilvie, Executive Director, SPUR Oakland (confirmed)
2. Richard Weinstein, Owner, Weinstein Local & Citrine Advisors Real Estate
(confirmed)
3. Lindsay Krumbein, Executive Artistic Director, Gritty City Repertory Youth
Theatre (confirmed)
4. Someone from the city - Libby Schaaf, Tamika Moss or who?
5. A local artist/advocate – Marvin X? Anyka Barber?

Plan:
1. As the participants enter, they are assigned a group number.
2. The facilitator introduces the topic, process and panelists.
3. Each panelist gives a 3-minute intro to their perspective on the topic and any
relevant background and context from their field.
4. The participants split into groups. Each group includes one panelist and onefacilitator. The groups address their question by creating a simple artistic product. 
5.We return to the full group and each group presents their piece.
6.Each panelist has 1 minute to synthesize take-aways, or things they will add to the next steps of their work as a result of the session.
7.Facilitator closes out the session. 

Questionsfor groupsto address:
  • 1.How can city government best support Oakland artists? (City person)
    2.How can art be incorporated into street-scapes, public spaces and new
    developments? (Robert)
    3.How do we make sure that the artists and arts organizations who have made
    Oakland so unique and desirable are able to stay as new residents, businesses and
    capital move in and rents rise? (artist/advocate)
    4.How can the Arts community and the Business community collaborate to best
    serve the public? (Richard)
    5.How can The Flight Deck best serve the public of Oakland? (Lindsay)
    Promptfor each group:
    Talk, draw, sing, move. Come up with some ideas and then make a simple artistic
    product that represents them.
    Create a product that:
    includes a minimal amount of text that gets to the essence of your idea (spoken or
    written)
    includes a visual element
    includes a performance element - movement or music
    is no longer than 1 minute
    includes everyone in the group in some way
    the form of the piece reflects the content of the ideas
    Materials available:
    large paper
    markers, colored pencils, etc.
    tape & glue
    other simple craft supplies

City of Oakland downtown Plan meeting

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City of Oakland Banner
Connect
Please join us to consider policy and design options to make Downtown Oakland the thriving, diverse, safe and equitable neighborhood that Oaklanders want to see at their city’s core. Based on the community’s feedback from two months of extensive public conversations, the City will be presenting ideas for solutions in a specific plan for Downtown to help meet the community’s needs, including:
  • Policies and programs to protect and support artists, small businesses, and residents at all income levels, including options to develop funds needed to meet these needs
  • Plans to encourage development that will fill in the gaps in our neighborhoods with living-wage jobs, new housing, new retail space and community benefits
  • Designs for public streets and gathering places that welcome and connect all residents, with a focus on transit-accessible public spaces that are safe for bicyclists and pedestrians of all ages
An open house will follow the presentation, where you can take a closer look at the options, offer new ideas and revisions, and talk with the designers, staff, and other community members.
Monday, February 1, 2016, 6:00 to 8:30 pm
Malonga Casquelourd Center for the Arts, 1428 Alice Street
Schedule
6:00 pm: Arrival & Reception
6:30 pm: Presentation
7:30 pm: Open House
Play
To experience some of the future possibilities firsthand, come to Frank Ogawa Plaza from February 4th through 6th for the Our City: Oakland Public Design Fair. The Plaza will be transformed into a place for people of all ages to play in new ways. Ten locally-built public design projects will premiere at the Fair, inviting residents and visitors alike to reimagine the future of our public space.
Festivities start on Friday, February 4th at a kickoff celebration with food, drinks and PLAY at the Museum of Children’s Art (1625 Clay Street) from 6:00 to 9:00 pm. Visit the Our City: Oakland website for details.
Heal
The City of Oakland is committed to advancing policy and institutional change to address structural inequality throughout Oakland. To support concrete steps toward this goal the Planning Department is issuing a Request for Proposals (RFP) to develop a social equity strategy that will guide this and future specific plans. The strategy would ensure that policies are developed to address the physical environment and economic conditions for all people, including those with the fewest resources, through the promotion of participatory engagement and positive social change.
Please forward this email and the link to the RFP to any organizations and consultants who are leaders in social equity policy, planning and participation: RFP for Oakland Social Equity Strategy.
Please feel free to forward this email or repost the Facebook event link to the February 1st meeting for your friends, neighbors and coworkers who care about their city: Community Meeting Facebook Event. For more information on Plan Downtown, please visit www.oaklandnet.com/plandowntownoakland.
We hope to see you on Monday, February 1st!

Nigger for Life, poems by Dr. Neal Hall, MD

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Nigger For Life Book Awards:
  • 2015 Pacific Rim Book Awards – 1st Place, Poetry
  • 2015 Amsterdam Book Awards – 1st Place, Poetry
  • 2015 Greater Southeast Book Awards – 1st Place, Poetry
  • 2014 Florida Books Awards – 1st Place, Poetry
  • 2013 GRAND PRIZE WINNER – The Do-It-Yourself Book Awards
  • 2013 London Book Awards – 1st Place, Poetry
  • 2013 The Great Midwest Book Awards – 1st Place, Poetry
  • 2013 Southern California Book Awards – 1st Place, Poetry
  • 2013 Do-It-Yourself Book Awards – 1st Place, Poetry
  • 2013 Finalist: International Book Awards by USA Book News
  • 2013 San Francisco Book Awards – 1st Place, Poetry
  • 2013 Paris Book Awards – 1st Place, Poetry
  • 2013 National Beverly Hills Book Awards – 1st Place, Poetry
  • 2013 Great Northwest Book Awards – 1st Place, Poetry
  • 2013 Great Southwest Book Awards – 1st Place, Poetry
  • 2013 GRAND PRIZE WINNER – Los Angeles Book Awards – The First Poet to Ever Win The L.A. Grand Prize
  • 2013 Los Angeles Book Awards – 1st Place, Poetry
  • 2012 New England Book Awards – 1st Place, Poetry
  • 2012 New York Book Awards – 1st Place, Poetry
  • 2012 Hollywood Book Awards – Runner Up, Poetry
  • 2012 Poetry Contest Winner, Ubud Writers & Readers International Festival, Bali, Indonesia
  • Named Conversation Magazine’s 2012 Top 10 Best Poetry Books
  • National Black Authors Tour’s Distinguished Honor Award

Toward the BAM Business District National Advisory Board (Proposed, unconfirmed)

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The following persons are requested to participate on the Black Arts Movement Business District National Advisory Board:

Danny Glover
Delroy Lindo
Sonia Sanchez
Nikki Giovanni
Mrs. Amina Baraka
Mayor Ras Baraka
Amiri Baraka, Jr.
Askia Toure
Woody King
The Last Poets
Felipe Luciano
David Murray
Marshall Allen
Danny Thompson
David Boykin
Haki Madhubuti
Toni Morrison
Alice Walker
Angela Davis
Muhammad Ahmad
John Burris
Gus Newport
Walter Riley
Eleanor Mason
Dezie Woods Jones
Maxine Ussery
Ruth Beckford
Ellendar Barnes
Dr. Mona Scott
Dr. Nathan Hare
Ishmael Reed
Al Young
Fahizah Alim
Kalamu Ya Salaam
Eugene Redman
Dr. Cornel West





Chicago's David Boykin produced conference on BAM Master Sun Ra at University of Chicago.
BAM Master's Marvin X, Marshall Allen and Danny Thompson of Sun Ra's Arkestra particpated,
May 22, 2015.

 The Black Dialogue Magazine brothers who visited the Soledad Prison Black Culture Club, chaired by Eldridge Cleaver and Alprintice Bunchy Carter, 1966. This club was the beginning of the American prison movement. Black Dialogue Magazine was edited by students in the BSU at San Francisco (most of the above). FYI, the Bay Area played a critical role in radical publications of the BAM National Movement, sister of the Black Power Movement (Larry Neal). While the East Coast is credited with founding BAM, critical journals of BAM were produced in the Bay Area: Soulbook Magazine (Merritt College), Black Dialogue, Journal of Black Poetry (San Francisco State College/University and community), Black Scholar Magazine, founded by Dr. Nathan Hare, edited by Robert Chrisman. There were the critical BAM journals, along with Liberator (New York City) and Negro Digest/Black World (Chicago). Prior to BAM journals was Umbra, published in NYC.

 BAM/Black Power freedom fighters Angela Davis, Marvin X, Sonia Sanchez

 Tarika Lewis, artistic freedom fighter, first female member of the Black Panther Party; Fred Hampton, Jr., Black Panther Cub, BAM Elder Marvin X, BAM/Black Power Babies Ras Ceylon and Alia
 BAM Baby Wanda Sabir. Her parents read to her Marvin X's classic Fable of the Black Bird.
Wanda is a Professor at College of Alameda and writer for the Bayview Newspaper, SF.

Promo from Stanley Nelson documentary film Black Panthers, Vanguard of the Revolution
BAM poet Marvin X appears in film.
 


Bay Area artists: Dewey Crumpler, painter, Author Monroe, painter, Ishmael Reed, author, Conyus, poet, Marvin X poet/organizer, Al Young, California poet laureate emeritus 
photo Tennessee Reed

 Black Arts Movement Poets Choir and Arkestra, University of California, Merced, 2014.
The BAM 50th Anniversary Celebration produced by Kim McMillan and Marvin X

 

Juan Herrera Felipe, member of original  BAM Poets Choir and Arkestra formed at University of California, Merced, 2014. Juan is now United States of America Poet Laureate 

 The Black Arts Movement Poets Choir and Arkestra at the Malcolm X Jazz/Art Festival, Oakland Ca, 2014
collage photo Adam Turner, Post News Group


Marvin X, daughter Muhammida el Muhajir, Dr. Julia Hare, Nisa Ra (Mother of Muhammida, former wife of Marvin X, still one of his best friends; Dr. Nathan Hare. Marvin adopted Julia and Nathan as his aunt and uncle. Dr. Julia Hare said, "When Marvin X calls you, it's like God calling. When he says jump, you say how high?" Marvin X says, "Oh, let us assist Dr. Nathan Hare in caring for his wife of 58 years. Oh, community, go visit them or send them a generous donation. They need your help at this hour as I write."
BAM artists Zena Allen, Marvin X, Tarika Lewis and Linda Johnson, one of our greatest choreographers. Marvin says, "I've worked with many Bay Area dancers, choreographers. As a child I adored Ruth Beckford who taught at New Century Rec Center in West Oakland when I was a child.
At San Francisco State College/University, I experienced Nontizi Cayou, worked with her. Then Raymond Sawyer, Ed Mock, Debra Vaughn, Suzzette Celeste, Raynetta Rayzetta (no one interpreted my poetry better than Raynetta and Suzzette Celeste). But I can't exclude Debra Vaughn and Traci Bartlow.



Ishmael Reed's classic study of Muhammad Ali. I appreciate Ishmael for allowing me to say what I wanted to say about my NOI brother and fellow traveler. As per the war in Vietnam, Ali and I were the best known NOI members who refused to fight in Vietnam. I endured exile, jail and Federal prison for my beliefs. Ali suffered fighting in the prime of his life as World Heavyweight  Champion.

Stanley Nelson, director of the film Black Panthers, Vanguard of the Revolution, Marvin X and Fred Hampton, Jr., at the screening of film at San Francisco International Film Festival. Fred Hampton was featured in the film as a baby. He was in the womb of his mother when the pigs killed his father while he lay in bed with his pregnant mother. The Chicago police admitted they attacked the BPP house to murder Black Panthers, especially after receiving information from a snitching ass nigguh.

Even as I write here in Oakland CA, even as the Oakland City Council just approved the Black Arts Movement Business District along the 14th Street corridor downtown, the rats are out and about. Even as we took the photo shoot before the City Council vote on the BAMBD, the rats were about, not only were they in the grass outside City Hall as many artists noticed, but they found their way into the group photo, one need only look at the last row on the left to see the rats. We had people on the East Coast check out the pic and they agreed they saw the rats in the pic.


Economics and the Black Arts Movement Business District

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Recent Photos The Commons Galleries World Map App Garden Camera Finder ... 

The primary question is how shall we make money in the BAMB District? What about a mixed portfolio? We can walk and chew gum, can't we? Aside from businesses already in the district, what else can be added to monetize? For sure, as artists we have creative properties to monetize. Perhaps this is our essential connection to the BAMBD business persons. Far too often we have the art, the show, but lack show business. Surely business persons can assist us in getting our show business together, e.g, how to package, produce, promote and sell our creations in a professional manner. Let's do things in a big way as a businessman used to tell our community. Do for self is in the BAM tradition. We had no choice but to publish our own writings once it became clear the commercial presses weren't interested in our products. Only a few writers were able to publish commercially. Most of us printed chapbooks to get our works to our people. Today there is publishing on demand and China. The Chinese can give us a very good deal. My daughter recently had her book published there.

But we can begin by taking an inventory of our products. Some of us have archives all over the house, e.g., manuscripts, paintings, audio and video productions. I've made more money from my archives than from my books, and my archives were in boxes that would be trashed upon my transition. This is the usual procedure with us. When the elders depart, we enter the house to take jewelry, China dishes, silverware and other items. But the letters of mom, pop, auntie, grandmother, we throw in the trash, in reality the gold: photos, diaries, scrapbooks, notebooks, etc.

Performing artists can collectively produce concerts, readings, books, audio and video tapes for sell to our people thirsty for conscious knowledge.

My daughter is a Bonds attorney. Some time ago she suggested training young people as bond sales persons. We can raise money for the BAM District through the sale of bonds on the grassroots level as well as on the municipal and state level.

We suggest the Afrikan Women's Market Day and the Black Farmer's Market Day on weekends, maybe in the Frank Ogawa/Oscar Grant Plaza. Lynette McElhaney, President of the City Council, mentioned in a planning how the plaza is underused.

We want street vendors in the district on a daily basis, similar to Berkeley and San Francisco. We can begin with a pilot project from Clay to Franklin along 14th. This will give our people a place to sell their creations and products. This will encourage entrepreneurship among youth and adults.

There can be Art and Soul concerts monthly on  different blocks for the exhibition of the many genres of art: paintings, crafts, food, clothing, books, CDs, DVDs; performance: R and B, Jazz, Hip Hop, Spirituals, Spoken Word, lecture/discussions, healing sessions to address the plethora of ills, physical, mental, spiritual.

For sure, we can sell BAM memorabilia: tee shirts, caps, jewelry and other products promoting BAMBD.

We can have tour guides for visitors and local people ignorant and/or curious  of BAMBD. The City has a downtown tour guide, but we must expand the tour.

Stores and shops must have high standards with holistic items that will improve our health rather than destroy us physically and mentally.

All merchants in the district should pay membership dues for the greater good. Artists should pay membership dues as well.

We want to acquire housing and other properties for artist space, business space and housing for our people in the downtown area. We suggest the Land Trust for BAMBD properties. The SRO hotels can be acquired and sold with the life estate title, i.e., the people can own their space for life, but upon their transition, it reverts to the Land Trust. Generally speaking, homelessness can be solved over night with the life estate.

Mental health session must be required so we can recover from our addiction to white supremacy, Type I and II (Dr. Nathan Hare).

In order to do for self, we will initially need help from City, State and Federal agencies, along with generous donations from Silicon Valley firms and Globalists who have caused much of the displacement and destruction of the cultural vitality of our community. Governor Jerry Brown recently passed legislation to establish cultural districts throughout California.

As per the Oakland Downtown Plan, there may be the need for an immediate moratorium on rents and evictions in the BAMBD. The final Downtown Plan should include the necessary changes in the zoning laws, permits and tax structure.

We need to establish a billion dollar trust fund for the district. This should be enough to endow us for the next few years as we pass the baton to our children. They won't be able to say, "Why ya'll didn't leave us nothin' (somethin')?"

These are some of my thoughts. What do you think? We welcome your comments.
jmarvinx@yahoo.com.

--Marvin X, BAMBD Planner
1/25/16

BAMBD Media Team Drafted

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Black artists gather at Frank Ogawa/Oscar Grant Plaza in front of Oakland City Hall, prior to City Council vote that established the Black Arts Movement Business District, January 12, 2016.
Front: Khalid Waajid; Amir Aziz, Duane Deterville, Judy Juanita, Eric Arnold, Tureada Mikell, Marvin X, Tarika Lewis, DeMar-con Gibson, Blystk Kmba, Crsna Cox, Jaenal Peterson, Jahaninh Omi Bahari, Janeah Taylor, Yancie Taylor, Tracy Mitchell, Ron Linzie, Dennis X, Wanda Ravernell
photo Adam Turner

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Graphics by Blystk Kmba

Black Bird Press News & Review: Black Power Babies Rock Philly
 Marvin X in Philly, interviewed by WURD Radio

The following persons have been drafted to establish the BAMBD Media Team. The team will be in charge of media matters, e.g., press releases, interviews, feature stories, promotional materials. BAM ancestor Amiri Baraka said we must be prepared to shoot down any negative stories about BAMBD that are not factual but only part of the disinformation campaign by you know who. Baraka said we have the intelligence to immediately counter-act  and smash any lies and distortions spread by you know who and the playa haters, jealous and envious Negroes, yes, those with the crabs in the barrel mentality.

Writers:
Dr. Ayodele Nzinga
Aries Jordan
Eric Arnold
Duane Deterville
Aquella Lewis
Wanda Sabir
Ishmael Reed
Askia Toure
Nefertiti Jackmon

Photographers/videographers
Adam Turner
Gene Hazzard
Kamau Amen Ra
Ken Johnson
Malaika Kambon
Harrison Chastain
Khalid Waajib
Amir Aziz

Painters, graphic artists:
Adam Turner
Randolph Belle
Muhammad Kareem
Mical Free

Blystk Kmba
James Gayles
Malik Seneferu
Refa One
Emory Douglas
Kalamu Cache'
Claude Clark
Joyce Gordon


Graphic design by Adam Turner

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Black Arts Movement Poets Choir and Arkestra
Photo collage by Adam Turner

Black Arts Movement Tentative Program for 50th Anniversary Celebration ...

Art by James Gayles

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Graphics by Mical Free, photo Kamau Amen Ra


Photo by Gene Hazzard

 BAM co-founder Amiri Baraka
Art by Emory
 Photo by Ken Johnson

Graphic art by Emory 

 Negro es bello/Black is Beautiful
Art by BAM Ancestor Elizabeth Catlett Mora


Screening: Black Panthers, Vanguard of the Revolution

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KQED, Independent Lens, Pandora, Firelight Media, Youth Speaks, and Congresswoman Barbara Lee's Office invite you to:
 

THE BLACK PANTHERS: Vanguard of the Revolution 

IndieLens Pop-Up free screening

Doors Open at 6:00pm

Grand Lake Theatre
3200 Grand Avenue
Oakland, CA 94610


Tuesday, February 9, 2016 from 6:00 PM to 9:00 PM (PST)




Join us for a multigenerational conversation about the birth of The Black Panther Party, and the resurgence of its voice through the #BlackLives Matter movement.

Featuring: 

  • Ericka Huggins ( leading member of the Black Panther Party, featured in the film)
  • Cat Brooks (#BlackLivesMatter Bay Area member, founder of Anti Police-Terror Project) 

Spoken word and musical performances, along with light refreshments, will be featured at the event. 
BAM poet-playwright Marvin X appears in the film.



Presenting Partners

                 


Community Partners:
                         



Have questions about Free Film Screening: THE BLACK PANTHERS: Vanguard of the Revolution? Contact KQED 
First female member of the Black Panther Party, Tarika Lewis, Fred Hampton, Jr., Black Panther Cub, Marvin X, Ras Ceylon, Alia Sharrief

 Vanguard of the Revolution film Director Stanley Nelson, Marvin X, Fred Hampton, Jr.
Marvin X appears in the film
Left to Right: Marvin X, grandson Jahmiel, director Stanley Nelson, MX's daughter Attorney Amira Jackmon and her daughter Naeemah Joy at Shattuck Cinema, Berkeley showing of Black Panthers, Vanguard of the Revolution. Marvin appears in the film. He and Stanley Nelson participated in the Q and A. Marvin's grandson said, "It was too much shooting!"
 Angela Davis, Marvin X, Sonia Sanchez


 
marvin x black studies poet lecturer at fresno state college now ...'
On orders from Gov. Ronald Reagan, Marvin X was removed from lecturing at Fresno State University, 1969, along with Angela Davis, who was removed from the University of California,
Los Angeles at the same time.  Entering the State College Board of Trustees meeting, Gov. Reagan said, "I want Marvin X removed by any means necessary!"


Marvin X: Part two:My Life in the Global Village--Notes of an artistic freedom fighter

If my memory is correct, the Black Panthers were at the Black House, San Francisco, when the first issue of the Black Panther Newspaper hit the press. Eldridge Cleaver and I had founded the Black House as a political/cultural center on Broderick Street, 1967,  and after I introduced him to Bobby Seale and Huey Newton, co-founders of the BPP and he became Minister of Information, the Black House morphed into the San Francisco Headquarters of the BPP. The Black House as a cultural center collapsed from ideological differences so the artists eased on down the road, including playwright Ed Bullins, Ethna Wyatt and myself. Ed Bullins fled to New York as did many artists, especially musicians, whom I discovered, especially when I hit Harlem myself, were more politically astute than the so called politicos, especially the Panthers who did not recover from their anti-art or war against "cultural nationalists" stance until they attended the Pan African Cultural Festival in Algeria.

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Eldridge Cleaver and Marvin X
This pic is cerca 1978
photo Muhammad Al Kareem 

But before I departed Black House, I saw the BPP newspaper being laid out in Cleaver's room adjacent to mine. The BPP trip to Sacramento was  planned at Black House. I could hear their planning session from my bedroom that Mrs. Amina Baraka described as Spartan compared to Eldridge's that was "high tech", i.e., he had a speaker phone! She was pregnant with the Baraka's first child, Obalaji, while at the Black House that was visited by such artists and politicos as Sonia Sanchez, Askia Toure, Sarah Webster Fabio, Avotcja, Emory Douglas, Samuel Napier, Judy Juanita, Chicago Art Ensemble, Reginald Lockett, Ellendar Barnes, George Murray,  and a host of others too numerous to remember, including Alprentice Bunchy Carter, Cleaver's close associate from Soledad  Prison.
 Eldridge Cleaver and his lieutenant in the prison movement and later ...Bunchy Carter was a story I've never forgotten. Do your math if you ...

Alprentice “Bunchy” Carter(born 1943; died January 17, 1969, Los ...

Alprentice Bunchy Carter

Carter was one of most handsome Black men
in the BLM, a former leader of the seven thousand member
Los Angeles Slauson Street gang, poet
and Cleaver's co-chair of the Soledad Prison
Black Culture Club that was the beginning
of the American Prison Movement.

edit-of-blk-dialog-grp-foto2

The Black Dialogue Magazine brothers who visited the Soledad Prison
Black Culture Club, chaired by Eldridge Cleaver and Bunchy Carter, 1966.

Left to Right: Aubrey LaBrie, Marvin X, Abdul Sabrey, Al Young, Arthur
Sheridan (founding editor of Black Dialogue) and Duke Williams. Most of
us were students at San Francisco State College/University when we visited
Soledad Prison. There was thus a unity in the Black Liberation Movement between students, prison inmates, Black intellectuals, artists and activists. There can be no revolution until all sectors of the
community unite and become one fist, i.e., youth, students, workers, intellectuals,
artists, women, progressive bourgeoisie and the spiritual leaders.
The staff of Black Dialogue Magazine visited the club
at Cleaver's invitation that we received from
his lawyer/lover Attorney Beverley Axelrod,
to whom he dedicated Soul on Ice and promised
to marry upon his release.  She smuggled his manuscript
out of Soledad in her legal papers. She won a percentage of
royalties by default after Cleaver went into exile from America.
Ironically, a few days before I performed his memorial service
in Oakland, her Pacifica house slid down the hill in a mudslide.
I didn't know she was at the memorial until years later when I
viewed the video of the memorial.

Bunchy was killed in the BSU meeting room on the campus of UCLA, along
with BPP member John Huggins, supposedly by members
of Ron Karenga's US organization, although Geronimo Pratt
absolves US of this twin murder. For sure, it was a Cointelpro affair,
have no doubt about this. See Senator Church's hearings on Cointelpro
and the Black Movement, including the Civil Rights Movement.

John Huggins - Email, Address, Phone numbers, everything! www ...
Comrade John Huggins
INVADERS
Black Panthers in Sacramento

The climax in my relationship with Cleaver and the Panthers occurred when I got into a confrontation with Lil' Bobby Hutton over the youth club in the basement. True, the youth were out of control and Hutton told me,"The Supreme Commander, i.e. Huey Newton, said close it down because it could be an excuse for the pigs to raid Black House." Of course Lil' Bobby and the BPP were correct, I was being emotional. We had received information from some progressive Black bourgeoisie sisters that the Black House was indeed going to be raided as they had information the police knew the youth were taking liberties with women or young girls, playing hookie from school and partying in the basement. Years later though, I met those youth who were grown and quite conscious culturally, and they thanked me for their Black House experience.

Bobby Hutton and Bobby Seale inside the Sacramento Capitol building ...

<b>bobby</b> <b>hutton</b> | Tumblr

I identified with the youth and was their mentor, so I told Hutton, "Fuck the Supreme Commander! I'm not closing down shit!" I could see in his eyes, Hutton wanted to get me that instant but restrained himself, saying, "We'll deal with you later, dude!" That night all I heard was the click of 45 automatics outside my door. I wasn't intimidated and didn't give a fuck. I knew I was just as crazy as Huey, Bobby and Eldridge, but shortly after the incident,  Eldridge evicted Ed Bullins, Ethna and myself. Ethna and I joined the Nation of Islam. After dropping out of San Francisco State College/now University, I was drafted but under Panther and Nation of Islam influence, I fled to Toronto, Canada, later Mexico City and Belize, from which I was deported and spent five months in jail and Federal prison at Terminal Island. The Panthers said, "We must not only resist the draft but resist arrest as well! Actually, no matter where I was, whether in exile or prison, the task was the same, i.e., to teach the deaf, dumb and blind the reality of our condition. So I did so in Toronto, Mexico City and Belize, Central America. And for doing so, one can be killed, exiled or jailed.
Somehow God saved me to tell this story. Years later, San Francisco County Jail Sheriff Charles Smith (who threw Muhammad Speaks newspaper in my cell during the three months I spent in jail at 350 Bryant Street) told me he attended a Interpol Conference in Belize at which they discussed my presence in Central America.

The killing of Denzil Dowell in Richmond was the first case of pigs killing North American Africans the BPP tackled. Fifty years later, where are we and the police? It seems another Denzil Dowell is murdered by the pigs every day coast to coast. Fifty years ago the Panthers took up arms to defend the community. Before them were brothers in the South such as the Deacons for Defense and Robert Williams in North Carolina (Negroes With Guns).

Since the BPP took up arms, many pigs were killed and many many Black Panther Party members were murdered by the pigs. When Eldridge Cleaver returned from exile as a Born Again Christian, I traveled with him throughout the Western hemisphere, America, Canada, Jamaica. After giving his testimony about finding Jesus Christ in the moon, the white Christians would embrace him and confessed they used to hate him and Blacks in general but since they were Born Again, they no longer hated him nor Blacks. On one occasion the police confessed they had murder squads who killed Panthers in particular and Blacks in general.  The pigs and Cleaver embraced, both exclaiming, "Praise the Lord!"

Because the Born Again pigs and Cleaver confessed their new found love for each other, do not think they trusted him one iota. Before he had me organize his ministry independent of the whites, there were white Born Again Christians who traveled with us to maintain their surveillance of him. After all, he was the Black superstar on the white Born Again Christian circuit. Charles Colson of Watergate was the other, along with Billy Graham, Pat Robertson, Jerry Falwell, Pat Bone, Jim and Tammy Baker, et al. I met most of them on more than one occasion. Since Black Christians were mortally afraid to work with Eldridge, as his chief of staff, I hired a crew of fearless Black Muslims that he fronted off as "heathens" he'd converted to Christianity. After giving his testimony, we'd usually have dinner with the white Christians (for a long time, he didn't deal with Black Christians), and they would ultimately turn to me with the question, "Marvin, when did you find the Lord?" And being an actor from Black Arts Movement Theatre, answered, "One Tuesday night!" The Christians would also ease up to me with the question, "Marvin, is Cleaver for real, did he really see Jesus Christ in the moon?" Of course I said yes. They also wanted to know if I was his bodyguard, even though he was twice my size at the time. I told them I was his just his travel companion and photographer, although he did provide me with a 45 automatic I carried in my camera bag.

When he went to Vancouver, Canada for a speaking engagement, they shook us down at the airport returning to the US and shook us down a second time when we arrived at San Francisco airport. They weren't sure Cleaver was truly Born Again and might still be a Communist dedicated to destroying America.

But it was a different feeling having the police greet us in a friendly manner when we arrived at the airport of various cities and accompany us to his engagements. I recently had a positive experience with the police while in Newark, New Jersey for the funeral of Amiri Baraka and also when I returned for the inauguration of his son, Ras Baraka, as Mayor of Newark NJ.

During the funeral, the police were all over the Baraka house as friends and security. Even before becoming Mayor, Ras had told me, "Marvin, we got brothers with legal guns on our side!" Indeed, many Black police supported the Baraka family, the "first family" of Newark, NJ.

Mrs. Amina Baraka told me that since her son became Mayor, the killing of Blacks by the police has stopped. Now it is only Blacks killing Blacks. During the time I was in Newark, I called California to tell friends there was a more positive relationship between the people and the police. They said I was crazy, this was unimaginable. I was tripping, they said. But it was true none the less, the antagonistic relationship between the people and the police in Newark was subsiding.

In Oakland, I recently asked my childhood friend, Paul Cobb, one of the elders in Oakland politics, are there any Black police on our side? He was not able to answer the question. In my mind, there must be some Black officers on the side of the people. They can't all be pigs, devils, beasts in blue uniforms. We know some of them can be won over to the cause of the people. We saw this in Egypt during the short lived Arab Spring. For a moment, the police and people became one.

As we celebrate the 50th anniversary of the Black Panther Party, we need to think about how we can come to a more civilized relationship with the police, even if it is symbiotic, it need not be totally negative. But the police cannot be allowed to continue their murder of Black people and other minorities under the color of law. Every human being in American has the right to life, liberty and the pursuit of happiness. And every human being has the right to self defense. Must we conclude the police are constitutionally unable to restrain themselves from killing us? Or is it possible for them to reach a higher level of understanding than the beast plane? If they can do it in Newark, they can do it in Oakland and Ferguson. Isaiah said let us reason together.

We know we cannot outgun the police. We saw in the 60s and we see now, the police have plenty back up, i.e., National Guard, Army, Air Force, Navy, FBI, Homeland Security, CIA, snitches and agent provocateurs. Yes, the Panthers in particular and the Black community in general suffered a military defeat during the 60s and 70s. Guns weren't the only weapon: there was disinformation, chemical (drugs)  and germ warfare(HIV/STDs), toxic food and water.

Isn't it time to do something that works? Shall we continue doing the same thing but expect different results, the mark of insanity?

Fifty years later, it is almost impossible for me to attend rallies against the police for murdering our young men and women. I applaud  people like Oakland's Cat Brooks,Chepus Johnson and the Black Lives Matter Movement. Thank God they have the energy. After fifty years, I'm emotionally and mentally drained, especially after losing my own son to suicide. Imagine, on psycho drugs, he walked into a train, a brilliant young man who graduated from UC Berkeley, attended Harvard and studied in Syria at the University of Damascus. Dr. Nathan Hare says suicide and homicide are but different sides of the same coin, often situational disorders caused oppression. Often homicides are suicides because the person didn't have the never to kill himself so he made someone else do the job. Franz Fanon said the only way the oppressed can regain their mental health is by engaging in revolution to end oppression. Revolution is seizing power. Ras Baraka has demonstrated this in Newark, NJ. And he was blessed with revolutionary parents, so he is well trained for his mission to transform Newark, NJ, a city much like Oakland.



Newark, NJ Mayor Ras Baraka and Marvin X

For sure, we are at war with the oppressor and the police are his first line of defense. Many of us are in denial we are at war until one of our children are killed. The tragedy is that there is no Black family in America that has not been impacted by police actions under the color of law, not to mention incarceration.

We know for a fact police behavior is quite different in the white community than in our community.
I've lived among white people in Castro Valley and they don't even treat Black people the same as they treat us a few miles away in Oakland. The son of a rich friend of mine was repeatedly stopped for speeding and driving without a license in Castro Valley. Did the police kill the boy? No. Did they give him a ticket? No. They called his father to come get the car and his son. Yes, they knew the father was a rich Black man so they treated him with respect. Once the youth had a party that got loud so neighbors called the police. Of course the youth were drinking and smoking. When the police came, they only wanted to know if there was an adult at the house. When I came to the door, the police said, "Are you the adult here, Sir?" I said, "Yes, Sir." The police said, "Good night, Sir."

Now we know money ain't gonna save you all the time, ask Harvard's Skip Gates! But we know if those armed white men in Oregon were Black, they would have surrendered or they'd be dead by now. Still we must make a way out of no way. We cannot continue going to funerals of our children from police homicide under the color of law or Black on Black homicide due to our addiction to white supremacy. We must arise from this morass of savagery. We must regain our self respect and demand others respect us.


I have called for the Red, Black and Green flag to fly up and down the Black Arts Movement Business District along the 14th Street corridor, downtown Oakland. Saluting the flag should help us regain our mental equilibrium and make others, including police, recognize we are a nation of people and must be respected as such. I often give the example of the gay/lesbian flag that flies down Market Street in San Francisco as one goes toward the gay/lesbian community. By the time one gets to the  community, one gets the feeling that we must have respect for this community and not engage in homophobic language and behavior. It should and must be the same in the BAM Business District. This must be a sacred space that we must respect. And this vibration must spread throughout our community. I suggest the Red, Black and Green fly throughout our community to let ourselves and the world know we are a people with cultural consciousness, who originated from the womb of civilization. It will help us understand when we kill our brothers and sisters, we kill ourselves. When others kill us, they kill themselves as well. James Baldwin said, "The murder of my child will not make your child safe!"
--Marvin X
1/17/16

Marvin X is a poet, playwright, essayist, organizer, one of the founders of the Black Arts Movement. He attended Oakland's Merritt College along with Huey Newton and Bobby Seale. He introduced Eldridge Cleaver to the Black Panthers. He was a member of the Negro Student Association/Black Student Union at San Francisco State University, 1964. Marvin co-founded Black Arts West Theatre, San Francisco, 1966, Black House, San Francisco, 1967, and was a member of Harlem's New Lafayette Theatre, 1968. He taught at Fresno State University, UC Berkeley, UC San Diego, San Francisco State University, Mills College, Laney and Merritt Colleges, Oakland; University of Nevada, Reno. He lectures at colleges and universities coast to coast. Marvin is prolific: he's written 30 books. His current project is the Black Arts Movement Business District, downtown Oakland.  He is in the Black Panther film Vanguard of the Revolution directed by Stanley Nelson. See his memoir of Eldridge Cleaver: My friend the Devil, Black Bird Press, 2009, Berkeley CA.

Hip-Hop N’ Politics: Black Panther Party: Commemorating Power To The ...

Call for Papers: 6th International conference on African Unity for Renaissance

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The Original Rapper: H. Rap Brown, Imam Jamil Al-Amin

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"Marvin X is the greatest poet in the world!"--H. Rap Brown, Harlem, 1968

The Parables of Plato Negro, aka Marvin X

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Parable of Black Man and Block Man

Parable of the Rats

Parable of the No People

Parable of a Real Woman

Parable of the Preacher's Wife

 

 

 

 

 

 

 

 

 

 

 

Parable of Black Man and Block Man 

When a fool is told a parable, it's meaning must be explained to him.--African proverb

You got black man and block man.

Watch out for block man!

--Sun Ra


There was a black man and a block man, both were black men, but block man had a big block head. He used to stand at the crossroads waiting for black man to come through so he could block him from going in any direction. If black man tried to go east, west, north or south, the playa hatin, jealous, envious block man would cause black man to either stop, stumble or fall.


Sometimes black man would purposely fall because he knew the African proverb that to stumble or fall is only to go forward faster. So after being blocked at one turn, he would fake a fall and go forward on his journey up the hill.


Of course block man would be waiting for him at a pass up the hill and again try to block black man from going farther. But black man, being athletic, was able to leap to the side and gracefully go pass block man.

And even though block man had a lot of friends who were blockheads too, black man had friends in the sun, moon and stars who watched out for him.


Black man had friends in the wind, seas, rivers, trees and all over the earth. So block man didn't have a chance with his evil scheme to block black man. All black man had to do was flow in the flow and make sure he wasn't swimming against the current of the universe, for in the counter flow the block men were waiting patiently for him, sharpening their knives, ready to remove the heart and soul of black man.


So black man planned and block man planned, but black man was the best planner. As long as his mind remained clean and sober, he could see block man coming a mile way.

Parable of the Rats 



The rats all have the same gait: they scurry about, back broken by an abundance of lies, half-truths and disinformation, defamation and other tactics of rat behavior. Even their facial expressions have a rat like appearance, so you can see them coming a mile away. You can smell a funky rat. We suspect the two legged variety even has a tail hidden inside their pants or underneath their dresses, yes, there are rats of every gender, every color, class. Some are sewer rats, some are wharf rats, some are subway rats, church rats, house rats. But their behavior is the same. They are on the lower level of humankind, these two legged rats. They can do nothing right. They cannot give justice even with the scale in view while they weigh goods. They will lie while you look at them playing with the scale. They will try to convince you the scale doesn't work while it is their minds that have not evolved to work on the human level.

There is only one thing to do with such rats: set a trap for them or feed them poison cheese and watch them puke and vomit until they die. Better yet, let the cat catch their asses. It is beautiful watching the cat catch a rat, seeing how still the cat will become while stalking his prey. But the cat will lie in wait for the rat as long as it takes, never moving, never batting his eye. And then he leaps upon his prey and devours him. It is a beautiful sight when when the cat and rat game reaches the climax and ends with the consumption of the rat by the cat.
--Marvin X
7/15/15 

Parable of the No People




No, no, no! That is all you say. Everything about you is no. Your lips say no, your eyes, your heart, your mind, your arms, your legs, your feet. You are a no person. I run from you. You say no to God. I am afraid of your no touch. I cannot expand my mind around no people. You will kill my spiritual development. No no no no!
When you say yes to life you open the world of infinite possibilities. I understand no part of no, only infinite possibilities. No does not exist in my world, only yes. Yes to love. Yes to success, yes to hope, yes to truth, yes to prosperity, yet to divinity, yes to resurrection, yes to ascension, yes to eternity. I am the language of yes. If you cannot say yes, get away from me. I run from you, want nothing to do with you. There is no hope for you until you open your mouth to yes.

Cast away the yes fear. Let it go, let God. Yes. No matter what, yes. No matter how long, yes. No matter how hard, yes. Let there be peace in the house, yes. Let there be love between you and me, yes. Let there be revolution in the land, over the world, yes. We will try harder, yes, we won't give up, yes. We shall triumph, yes. Yes is the language of God. Yes is the language of Divinity, Spirituality.

All the prophets said yes. Adam said yes, Abraham said yes. Moses said yes. Solomon said yes.Job said yes. Jeremiah, Isaiah said yes. The lover in Song of Solomon said yes. David said yes. John and Jesus said yes. Muhammad said yes. Elijah and Malcolm, Martin and Garvey, Harriet Tubman and Sojourner Truth said yes. Fannie Lou and Rosa Parks, Betty Shabazz and Coretta Scott said yes. Mama and daddy said yes. Grandma and grandpa said yes. All the ancestors said yes. Forevermore, let go of no and say yes. Dance to yes. Shout to yes!


--Marvin X 

Parable of a Real Woman 




There was a man who had many women in his life. They had come and gone, with himself at fault most of the time. But he wouldn't give up, he continued his self improvement and search for that special woman. He talked with elder women about what he should do. One told him he'd never had a real woman! If so, she would still be with him, no matter what, through thick and thin, up times and down times. Well, he asked, how would he know when such a woman was in his presence. First, cleanup your own act, she said. Scoop your own poop. Rid yourself of defects of character. Make amendments to all those you have harmed in life. It takes humility to do this.



Still, how will I know the real woman? The older woman answered, you will know because when she comes over your house and sees something amiss, she will take authority to correct the situation. If your house is dirty, she will immediately ask if she can clean it as a favor to you, as an act of love. She will not want any money for her services. And she will clean your house as it has never been cleaned before because she knows what she is doing. Yes, she is a pro, not only with house cleaning but with every thing she does, including her love making. She will make sure you are satisfied and herself as well.



She will demand respect and will respect you. She will demand freedom and give you freedom. She will speak in the language of love so smooth that it will be like a razor cutting to the heart. You will be bleeding to death but not know you are cut.



You will do what she suggests and do it willingly because it will not be a demand but a request said so subtle you won't recognize it for what it actually is: a demand. And you will love doing what she requests.



When you need space and time to yourself you won't need to explain, she will pick up the vibe.

And you will do the same for her.



She will not be jealous and envious of your talent and skills or how handsome you are to other women. She knows she has you in her pocket because she is confident of herself, and not worried about some other woman taking her man.



If you are taken by another woman, it must be the will of God that you go. She knows God will replace her emptiness with someone even better than you. But she will give you time to get a grip on yourself and find your way back home. Just don't take too long and when you come home don't be asking about what she was doing while you were gone.



A real woman will put her resources at your disposal if you are worthy of them, as the prophet Muhammadwas treated by the wealthy trade woman Khadijah. There is no selfishness in love. All is for the beloved, but a wise woman ain't no fool. As the song says, the greatest thing you will ever do is love and be loved in return.



The man thanked the elder woman for her wisdom and departed on his search.
from the Wisdom of Plato Negro, parables/fables, Marvin X, Black Bird Press, Berkeley, 2012.



Comment on the Wisdom of Plato Negro


The Wisdom of Plato Negro is for the forty something up. No persons who haven't lived a few years can appreciate the things Marvin X says in The Wisdom of Plato Negro. You need to be at least forty to understand, and even then, this is not a book to read in one setting, even if it is easy reading. It is a book to read in a relaxed situation, and then only read one or two of the parables at a time. They must be carefully digested, each one.



Think about them, what was the real meaning? Again, if you haven't lived a few years, there's no way you can appreciate some of the things he says. For example, the Parable of the Real Woman. A young man who hasn't had many experiences with women cannot possibly understand this parable. If a woman comes to his house and cleans it out of love, a young man cannot appreciate this. He will tell her thanks, then go get a flashy woman who is never going to clean his house, mainly because she doesn't know how. But the dude will go for her because she is cute, but the real woman he rejects, the one with common sense and dignity, who may not be a beauty queen.
--Anon 

Parable of the Preacher's Wife




There was a preacher who had a most beautiful wife. She used to come pass Plato Negro's street academy on da corner of 14th and Broadway, downtown Oakland. She was so beautiful Plato Negro had to stop teaching whenever she passed. Her skin was clean and glowing. Her clothes were of fine cloth. Her legs were well shaped, her shoes expensive.

At first she would take Plato's writings home to read. But she came one day to tell him she could not read anymore of his writings because they were not in accord with the Bible, specifically the King James version.

Plato Negro asked her if she knew the history of King James, that he was a pervert, murderer, robber, rapist who gave "his version" of God's word? How could such a devil have a version of God's word? Would you believe John Dillinger's version of the Bible? During the reign of King James kidnapped Africans arrived in North America by way of the Good Ship Jesus, captained by Sir John Hawkins, author of that Christian classic song Amazing Grace. Yes, along with John Hawkins, King James I was among the wretched gang of English slave traders.

The preacher's wife said she didn't care about King James, all she cared about was what Jesus said. How do you know what Jesus said, all you know is what somebody said Jesus said, and we know how people lie? The only time he wrote anything was on the sand. And we know what happens when the tide comes in.

Plato Negro was hurt when she refused to take anymore of his writings. He told her she was too beautiful to be so narrow minded, and that truth was in many books besides the Bible. Didn't Jesus say truth would set you free?

I am free, said the preacher's wife, Jesus set her free and she didn't need to read anything else.
Plato wanted to know how could she be so beautiful, yet so ignorant. She told him some of her history, that she had been a dope fiend on cocaine, had been tossed up by men in the dope house, but Jesus saved her.

You saved yourself, Plato Negro told her. We know God helps those who help themselves. If you take one step He will take ten. When you were ready to stop being a dope fiend, you stopped, Jesus had nothing to do with it! Plato sensed she was leaning on Jesus for a crutch, that there was something still in her soul that was not right and she had more healing to do.

But my husband is a preacher, she said. So what, Plato Negro replied? He has known many wicked preachers, so it was of no value that her husband was a preacher. Every tub must sit on its own bottom.

The preacher's wife was silent for a moment. She seemed to be considering his words. He told her there is only one truth and that if it was true for her, it was true for him. By degrees you shall come to see the truth of my words, he said.

The story of Jesus is a very ancient tale, told in many countries thousands of years before the birth of Jesus. We know at least sixteen crucified saviors, all had a virgin birth, stars were seen in the sky when they were born, wise men came to visit the baby savior who later taught but was eventually crucified, resurrected and ascended to heaven.

For a moment, Plato Negro saw a light flicker in the head of the preacher's wife. Beautiful woman, he said, go in the name of Jesus, if it is Him whom you serve. Just know there is one mind, one truth, one spiritual energy in the universe and we are all connected to that force, the just and the unjust.

She said goodbye and crossed the street. Plato said to himself, "Cute but psycho!"
--Marvin X
4/1/10

For more information on the Savior myth, see The World's Sixteen Crucified Saviors by Kersey Graves; Anacalypsis, Godfrey Higgins; Man, God and Civilization by John G. Jackson;The Golden Bough by Sir James George Frazer.

from The Wisdom of Plato Negro, Parables/Fables, Marvin X, Black Bird Press, Berkeley Ca., $19.95. Available from Academy of da Corner, 14th and Broadway, downtown Oakland CA. 
jmarvinx@yahoo.com 

Film Screening: Black Panthers, Vanguard of the Revolution

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Danny Glover's Black Panthers film is an antidote to Batman and Iron ...




KQED, Independent Lens, Pandora, Firelight Media, Youth Speaks, and Congresswoman Barbara Lee's Office invite you 
 

THE BLACK PANTHERS: Vanguard of the Revolution 

IndieLens Pop-Up free screening

Doors Open at 6:00pm

Grand Lake Theatre
3200 Grand Avenue
Oakland, CA 94610


Tuesday, February 9, 2016 from 6:00 PM to 9:00 PM (PST)




Join us for a multigenerational conversation about the birth of The Black Panther Party, and the resurgence of it's voice through the #BlackLives Matter movement.

Featuring: 

  • Ericka Huggins ( leading member of the Black Panther Party, featured in the film)
  • Cat Brooks (#BlackLivesMatter Bay Area member, founder of Anti Police-Terror Project) 

Spoken word and musical performances, along with light refreshments, will be featured at the event.
Black Arts Movement poet, organizer Marvin X appears in the film.




Presenting Partners

                 


Community Partners:

                         




Have questions about Free Film Screening: THE BLACK PANTHERS: Vanguard of the Revolution? Contact KQED 


Part two
My Life in the Global Village
Notes of an artistic freedom fighter 

by Marvin X


 


First female member of the Black Panther Party, Tarika Lewis, Fred Hampton, Jr., Black Panther Cub, Marvin X, Ras Ceylon, Alia Sharrief
 Vanguard of the Revolution film Director Stanley Nelson, Marvin X, Fred Hampton, Jr.
Marvin X appears in the film
Left to Right: Marvin X, grandson Jahmiel, director Stanley Nelson, MX's daughter Attorney Amira Jackmon and her daughter Naimah Joy at Shattuck Cinema, Berkeley showing of Black Panthers, Vanguard of the Revolution.  He and Stanley Nelson participated in the Q and A. Marvin's grandson said, "It was too much shooting!"

 Angela Davis, Marvin X, Sonia Sanchez

  marvin x black studies poet lecturer at fresno state college now ...

On orders from Gov. Ronald Reagan, Marvin X was removed from lecturing at Fresno State University, 1969, along with Angela Davis, who was removed from the University of California,
Los Angeles at the same time.  Entering the State College Board of Trustees meeting, Gov. Reagan said, "I want Marvin X removed by any means necessary!" Marvin X was removed after the Governor found out he had refused to fight in Vietnam. Angela was removed for being a Black Communist.


THE UNKNOWN MOMENT: Elijah Muhammad - UFOs Farrakhan and the Nation of ... 

"A notable and articulate advocacy of black conscientious objection came from
the Nation of Islam. In 1942 Elijah Muhammad was arrested in Chicago and
convicted of sedition, conspiracy and violation of the draft laws. After
serving time in a federal penitentiary until 1946, Muhammad continued in his
beliefs. Two decades later he vigorously urged his followers to refuse
participation in the Vietnam War. Among those who listened were world
heavyweight boxing champion Muhammad Ali and Marvin X."
--Lorenzo Thomas, University of Houston, TX
 According to Dr. Mohja Kahf, Marvin X's Fly to Allah, 1968, is the beginning of the literary genre Muslim American literature. She considers him and BAM poets Amiri Baraka, Askia Toure and Sonia Sanchez as the founders of Muslim American literature, also Sam Hamad. Of course the Autobiography of Malcolm X is iconic, except he didn't write it. Alex Haley wrote it and completed it after Malcolm's assassination, so it is a spurious narrative, although it impacted many lives as a modern "slave narrative".


If my memory is correct, the Black Panthers were at the Black House, San Francisco, when the first issue of the Black Panther Newspaper hit the press. Eldridge Cleaver and I had founded the Black House as a political/cultural center on Broderick Street, 1967,  and after I introduced him to Bobby Seale and Huey Newton, co-founders of the BPP and he became Minister of Information. The Black House morphed into the San Francisco Headquarters of the BPP.

 

Ethna X. Wyatt, aka Hurriyah Asar, Marvin X's 
partner and co-founder of Black Arts West Theatre
and Black House Political/Cultural Center, 
San Francisco, 1966-67.

The Black House as a cultural center collapsed from ideological differences so the artists eased on down the road, including playwright Ed Bullins, Ethna Wyatt and myself.




Ed Bullins fled to New York as did many artists, especially musicians, whom I discovered, especially when I hit Harlem myself, were more politically astute than the so called politicos, especially the Panthers who did not recover from their anti-art or war against "cultural nationalists" stance until they attended the Pan African Cultural Festival in Algeria.

;
Eldridge Cleaver and Marvin X
This pic is cerca 1978
photo Muhammad Al Kareem 
But before I departed Black House, I saw the BPP newspaper being laid out in Cleaver's room adjacent to mine. The BPP trip to Sacramento was  planned at Black House. I could hear their planning session from my bedroom that Mrs. Amina Baraka described as Spartan compared to Eldridge's that was "high tech", i.e., he had a speaker phone!

 
 Amina and Amiri Baraka. Amina is holding son Ras, now Mayor of
Newark, NJ

She was pregnant with the Baraka's first child, Obalaji, while at the Black House that was visited by such artists and politicos as Sonia Sanchez, Askia Toure, Sarah Webster Fabio, Avotcja, Emory Douglas, Samuel Napier, Judy Juanita, Chicago Art Ensemble, Reginald Lockett, Ellendar Barnes, George Murray, including Alprentice Bunchy Carter, Cleaver's close associate from Soledad  Prison.
 Eldridge Cleaver and his lieutenant in the prison movement and later ...

 Cleaver and Bunchy Carter


Bunchy Carter was a story I've never forgotten. Do your math if you ...


Alprentice Bunchy Carter

Carter was one of most handsome Black men in the BLM, a former leader of the seven thousand member Los Angeles Slauson Street gang, poet and Cleaver's co-chair of the Soledad Prison
Black Culture Club that was the beginning of the American Prison Movement.

edit-of-blk-dialog-grp-foto2

The Black Dialogue Magazine brothers who visited the Soledad Prison
Black Culture Club, chaired by Eldridge Cleaver and Bunchy Carter, 1966.

Left to Right: Aubrey LaBrie, Marvin X, Abdul Sabrey, Al Young, Arthur Sheridan (founding editor of Black Dialogue) and Duke Williams. Most ofus were students at San Francisco State College/University when we visited Soledad Prison. There was thus a unity in the Black Liberation Movement between students, prison inmates, Black intellectuals, artists and activists. There can be no revolution until all sectors of the community unite and become one fist, i.e., youth, students, workers, intellectuals, artists, women, progressive bourgeoisie and the spiritual leaders. The staff of Black Dialogue Magazine visited the club at Cleaver's invitation that we received from his lawyer/lover Attorney Beverley Axelrod, to whom he dedicated Soul on Ice and promised to marry upon his release.  She smuggled his manuscript out of Soledad in her legal papers. She won a percentage of royalties by default after Cleaver went into exile from America. Of course he met Kathleen Neal and Beverly was out of the picture.
 


Ironically, a few days before I performed his memorial service in Oakland, her Pacifica house slid down the hill in a mudslide. I didn't know she was at the memorial until years later when I
viewed the video of the memorial. Kathleen and daughter Joju attended the memorial. Kathleen
to Marvin, "This was a nice memorial Marvin, but there were just too many Muslims." Alas,
their son is a Sunni Muslim, Ahmad Eldridge Cleaver.


 Kathleen and Eldridge holding
son Ahmad Eldridge Cleaver

 Alprentice “Bunchy” Carter(born 1943; died January 17, 1969, Los ...
Bunchy was killed in the BSU meeting room on the campus of UCLA, along with BPP member John Huggins, supposedly by members of Ron Karenga's US organization, although Geronimo Pratt
absolves US of this twin murder. For sure, it was a Cointelpro affair, have no doubt about this. See Senator Church's hearings on Cointelpro and the Black Movement, including the Civil Rights Movement.

John Huggins - Email, Address, Phone numbers, everything! www ...
Comrade John Huggins
INVADERS

Black Panthers inside the Sacramento Capitol building

The climax in my relationship with Cleaver and the Panthers occurred when I got into a confrontation with Lil' Bobby Hutton over the youth club in the basement. True, the youth were out of control and Hutton told me,"The Supreme Commander, i.e. Huey Newton, said close it down because it could be an excuse for the pigs to raid Black House." Of course Lil' Bobby and the BPP were correct, I was being emotional. We had received information from some progressive Black bourgeoisie sisters that the Black House was indeed going to be raided as they had information the police knew the youth were taking liberties with women or young girls, playing hookie from school and partying in the basement. Years later though, I met those youth who were grown and quite conscious culturally, and they thanked me for their Black House experience.

Bobby Hutton and Bobby Seale inside the Sacramento Capitol building ...

<b>bobby</b> <b>hutton</b> | Tumblr

I identified with the youth and was their mentor, so I told Hutton, "Fuck the Supreme Commander! I'm not closing down shit!" I could see in his eyes, Hutton wanted to get me that instant but restrained himself, saying, "We'll deal with you later, dude!" That night all I heard was the click of 45 automatics outside my door. I wasn't intimidated and didn't give a fuck. I knew I was just as crazy as Huey, Bobby and Eldridge, but shortly after the incident,  Eldridge evicted Ed Bullins, Ethna and myself. Ethna and I joined the Nation of Islam. After dropping out of San Francisco State College/now University, I was drafted but under Panther and Nation of Islam influence, I fled to Toronto, Canada, later Mexico City and Belize, from which I was deported and spent five months in jail and Federal prison at Terminal Island. The Panthers said, "We must not only resist the draft but resist arrest as well! Actually, no matter where I was, whether in exile or prison, the task was the same, i.e., to teach the deaf, dumb and blind the reality of our condition. So I did so in Toronto, Mexico City and Belize, Central America. And for doing so, one can be killed, exiled or jailed.
Somehow God saved me to tell this story. Years later, San Francisco County Jail Sheriff Charles Smith (who threw Muhammad Speaks newspaper in my cell during the three months I spent in jail at 350 Bryant Street) told me he attended a Interpol Conference in Belize at which they discussed my presence in Central America.

The killing of Denzil Dowell in Richmond was the first case of pigs killing North American Africans the BPP tackled. Fifty years later, where are we and the police? It seems another Denzil Dowell is murdered by the pigs every day coast to coast. Fifty years ago the Panthers took up arms to defend the community. Before them were brothers in the South such as the Deacons for Defense and Robert Williams in North Carolina (Negroes With Guns).

Since the BPP took up arms, many pigs were killed and many many Black Panther Party members were murdered by the pigs.

 
 Cleaver's passport during his exile

 
During his exile, Cleaver met the North Vietnamese General
Giap who defeated America in the Vietnam war.



When Eldridge Cleaver returned from exile as a Born Again Christian, I traveled with him throughout the Western hemisphere, America, Canada, Jamaica. After giving his testimony about finding Jesus Christ in the moon, the white Christians would embrace him and confess they used to hate him and Blacks in general but since they were Born Again, they no longer hated him nor Blacks. On one occasion the police confessed they had murder squads who killed Panthers in particular and Blacks in general.  The pigs and Cleaver embraced, both exclaiming, "Praise the Lord!"




Because the Born Again pigs and Cleaver confessed their new found love for each other, do not think they trusted him one iota. Before he had me organize his ministry independent of the whites, there were white Born Again Christians who traveled with us to maintain their surveillance of him. After all, he was the Black superstar on the white Born Again Christian circuit.


Born Again”



Tammy Baker


 Pat Boone

Charles Colson of Watergate was the other, along with Billy Graham, Pat Robertson, Jerry Falwell, Pat Boone, Debbie Boone, Jim and Tammy Baker, et al. I met most of them on more than one occasion. Since Black Christians were mortally afraid to work with Eldridge, as his chief of staff, I hired a crew of fearless Black Muslims that he fronted off as "heathens" he'd converted to Christianity. After giving his testimony, we'd usually have dinner with the white Christians (for a long time, he didn't deal with Black Christians), and they would ultimately turn to me with the question, "Marvin, when did you find the Lord?" And being an actor from Black Arts Movement Theatre, answered, "One Tuesday night!" The Christians would also ease up to me with the question, "Marvin, is Cleaver for real, did he really see Jesus Christ in the moon?" Of course I said yes. They also wanted to know if I was his bodyguard, even though he was twice my size at the time. I told them I was his just his travel companion and photographer, although he did provide me with a 45 automatic I carried in my camera bag.

When he went to Vancouver, Canada for a speaking engagement, they shook us down at the airport returning to the US and shook us down a second time when we arrived at San Francisco airport. They weren't sure Cleaver was truly Born Again and might still be a Communist dedicated to destroying America.

But it was a different feeling having the police greet us in a friendly manner when we arrived at the airport of various cities and accompany us to his engagements. I recently had a positive experience with the police while in Newark, New Jersey for the funeral of Amiri Baraka and also when I returned for the inauguration of his son, Ras Baraka, as Mayor of Newark NJ.

During the funeral, the police were all over the Baraka house as friends and security. Even before becoming Mayor, Ras had told me, "Marvin, we got brothers with legal guns on our side!" Indeed, many Black police supported the Baraka family, the "first family" of Newark, NJ.

Mrs. Amina Baraka told me that since her son became Mayor, the killing of Blacks by the police has stopped. Now it is only Blacks killing Blacks. During the time I was in Newark, I called California to tell friends there was a more positive relationship between the people and the police. They said I was crazy, this was unimaginable. I was tripping, they said. But it was true none the less, the antagonistic relationship between the people and the police in Newark was subsiding.

In Oakland, I recently asked my childhood friend, Paul Cobb, one of the elders in Oakland politics, are there any Black police on our side? He was not able to answer the question. In my mind, there must be some Black officers on the side of the people. They can't all be pigs, devils, beasts in blue uniforms. We know some of them can be won over to the cause of the people. We saw this in Egypt during the short lived Arab Spring. For a moment, the police and people became one.

As we celebrate the 50th anniversary of the Black Panther Party, we need to think about how we can come to a more civilized relationship with the police, even if it is symbiotic, it need not be totally negative. But the police cannot be allowed to continue their murder of Black people and other minorities under the color of law. Every human being in American has the right to life, liberty and the pursuit of happiness. And every human being has the right to self defense. Must we conclude the police are constitutionally unable to restrain themselves from killing us? Or is it possible for them to reach a higher level of understanding than the beast plane? If they can do it in Newark, they can do it in Oakland and Ferguson. Isaiah said let us reason together.

We know we cannot outgun the police. We saw in the 60s and we see now, the police have plenty back up, i.e., National Guard, Army, Air Force, Navy, FBI, Homeland Security, CIA, snitches and agent provocateurs. Yes, the Panthers in particular and the Black community in general suffered a military defeat during the 60s and 70s. Guns weren't the only weapon: there was disinformation, chemical (drugs)  and germ warfare(HIV/STDs), toxic food and water.

Isn't it time to do something that works? Shall we continue doing the same thing but expect different results, the mark of insanity?

Fifty years later, it is almost impossible for me to attend rallies against the police for murdering our young men and women. I applaud  people like Oakland's Cat Brooks,Chepus Johnson and the Black Lives Matter Movement. Thank God they have the energy. After fifty years, I'm emotionally and mentally drained, especially after losing my own son to suicide. Imagine, on psycho drugs, he walked into a train, a brilliant young man who graduated from UC Berkeley, attended Harvard and studied in Syria at the University of Damascus. Dr. Nathan Hare says suicide and homicide are but different sides of the same coin, often situational disorders caused oppression. Often homicides are suicides because the person didn't have the never to kill himself so he made someone else do the job. Franz Fanon said the only way the oppressed can regain their mental health is by engaging in revolution to end oppression. Revolution is seizing power. Ras Baraka has demonstrated this in Newark, NJ. And he was blessed with revolutionary parents, so he is well trained for his mission to transform Newark, NJ, a city much like Oakland.



Newark, NJ Mayor Ras Baraka and Marvin X

For sure, we are at war with the oppressor and the police are his first line of defense. Many of us are in denial we are at war until one of our children are killed. The tragedy is that there is no Black family in America that has not been impacted by police actions under the color of law, not to mention incarceration.

We know for a fact police behavior is quite different in the white community than in our community.
I've lived among white people in Castro Valley and they don't even treat Black people the same as they treat us a few miles away in Oakland. The son of a rich friend of mine was repeatedly stopped for speeding and driving without a license in Castro Valley. Did the police kill the boy? No. Did they give him a ticket? No. They called his father to come get the car and his son. Yes, they knew the father was a rich Black man so they treated him with respect. Once the youth had a party that got loud so neighbors called the police. Of course the youth were drinking and smoking. When the police came, they only wanted to know if there was an adult at the house. When I came to the door, the police said, "Are you the adult here, Sir?" I said, "Yes, Sir." The police said, "Good night, Sir."

Now we know money ain't gonna save you all the time, ask Harvard's Skip Gates! But we know if those armed white men in Oregon were Black, they would have surrendered or they'd be dead by now. Still we must make a way out of no way. We cannot continue going to funerals of our children from police homicide under the color of law or Black on Black homicide due to our addiction to white supremacy. We must arise from this morass of savagery. We must regain our self respect and demand others respect us.


I have called for the Red, Black and Green flag to fly up and down the Black Arts Movement Business District along the 14th Street corridor, downtown Oakland. Saluting the flag should help us regain our mental equilibrium and make others, including police, recognize we are a nation of people and must be respected as such. I often give the example of the gay/lesbian flag that flies down Market Street in San Francisco as one goes toward the gay/lesbian community. By the time one gets to the  community, one gets the feeling that we must have respect for this community and not engage in homophobic language and behavior. It should and must be the same in the BAM Business District. This must be a sacred space that we must respect. And this vibration must spread throughout our community. I suggest the Red, Black and Green fly throughout our community to let ourselves and the world know we are a people with cultural consciousness, who originated from the womb of civilization. It will help us understand when we kill our brothers and sisters, we kill ourselves. When others kill us, they kill themselves as well. James Baldwin said, "The murder of my child will not make your child safe!"
--Marvin X
1/17/16

Marvin X is a poet, playwright, essayist, organizer, one of the founders of the Black Arts Movement. He attended Oakland's Merritt College along with Huey Newton and Bobby Seale. He introduced Eldridge Cleaver to the Black Panthers. He was a member of the Negro Student Association/Black Student Union at San Francisco State University, 1964. Marvin co-founded Black Arts West Theatre, San Francisco, 1966, Black House, San Francisco, 1967, and was a member of Harlem's New Lafayette Theatre, 1968. He taught at Fresno State University, UC Berkeley, UC San Diego, San Francisco State University, Mills College, Laney and Merritt Colleges, Oakland; University of Nevada, Reno. He lectures at colleges and universities coast to coast. Marvin is prolific: he's written 30 books. His current project is the Black Arts Movement Business District, downtown Oakland.  He is in the Black Panther film Vanguard of the Revolution directed by Stanley Nelson. See his memoir of Eldridge Cleaver: My friend the Devil, Black Bird Press, 2009, Berkeley CA.

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Let's Celebrate the Black Arts Movement Business District with a Marcus Garvey Parade and Founders Concert

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<b>Marcus</b> <b>Garvey</b> Riding In Car in U.N.I.A. <b>Parade</b>
 The Honorable Marcus Garvey

We think North American Africans in Oakland should celebrate the Black Arts Movement Business District with a Marcus Garvey parade down 14th from MLK, Jr. Way to Lake Merritt for a rally and festival. Brother Theo of the Malonga Center should lead the people with his dancers doing the BAM BAM  (suggested by Dr. Nathan Hare). Dr. Hare says, "BAM BAM in boxing connotes a quick one-two punch."
Doc can still throw a punch. He turns 80 April 9, same birthday as ...

Dr. Nathan Hare, Sociologist, Clinical Psychologist, Father of Black and Ethnic Studies, former professional boxer, demonstrates the BAM BAM for Marvin X.



BAM photographer/videographer Kenny Johnson said, "We gonna be doin da BAM Thang everywhere."

;
King Theo
Celebrating Sonia Sanchez At 79 + BaddDDD Bio-Doc In The Works ...
 Sonia Sanchez

We also propose a benefit concert for the Black Arts Movement Business District Trust Fund. The concert will present BAM Founders and showcase the BAM Babies--the next generation of artistic freedom fighters.



YGB, Young, Gifted and Black

l
BAM Baby, Mayor Ras Baraka, Newark NJ

Nikki Giovanni
 Nikki Giovanni

Description Alice Walker.jpg
Alice Walker

Askia Toure

AUDIO: The Last Poets Interview in advance of Boston show Sat. 6/16 ...
The Last Poets

 (invited, unconfirmed)
Danny Glover
The Last Poets
Sonia Sanchez
Nikki Giovanni
Alice Walker
Avotcja
Askia Toure
Marvin X
Ishmael Reed
Al Young
Mayor Ras Baraka
YGB
Paris
Marc Barmuthi


The BAM Poet's Choir and Arkestra:


Paradise

Kujichagulia

Marvin X and Danny Glover

<b>Marcus</b> <b>Garvey</b> and members in a U.N.I.A. <b>Parade</b>

 ... of the Universal Negro Improvement Association march on <b>parade</b>
Universal Negro Improvement Association soldiers. Did you know
there is a Marcus Garvey UNIA Hall in Oakland?

Black Cross Nurses, in the 1922 UNIA <b>Parade</b> (Corbis)
 The UNIA Black Cross Nurses. We call upon the Bay Area Black Nurses Association to participate in the BAM Business District Unity parade.



... Clip From Documentary 'The Black Panthers: Vanguard Of The Revolution

On the 50th Anniversary of the founding of the Black Panther Party in Oakland, we call upon the BPP veterans to participate in the BAM Business District Unity parade. Panther Cubs also!

Little Known Stories of Blacks and the Civil War
The 200,000 North American African troops were critical to the US winning the Civil War. We call upon Black Veterans to march in the BAM Business District Unity parade.

On parade, the 41st Engineers at Ft. Bragg, NC in colorguard ...

FYI, BAM/Black Power activists were patriots who believed in the values of American democracy. We believed in the American revolution. We quoted the US Constitution in our raps and principles. We believed in the consent of the governed, yet we suffered taxation without representation. We suffered a military defeat by the US Government. We hereby call upon all veterans of the US military to connect and support the BAM/Black Power veterans, especially those in need. We call on Black military veterans to reach out and touch the soldiers in America's domestic war against the freedom and independence of North American Africans, e.g., Black Panthers, Nation of Islam, Socialists, Communists, Liberation theologists and others. Now there are some who completely missed the 60s. They are like the girl who said Wake up to what? Poor girl doesn't even know she's asleep. But US military veterans, reach out and touch your brothers in the war for freedom in America.

Uniformed men in the uniform of the Fruit of Islam, a subset of the Nation of Islam, stand at attention during the Saviour's Day celebrations at General Richard Jones Armory, Chicago, Illinois, February 26, 1967.

We call upon the Nation of Islam to join the BAM Business District Unity Parade.

Recent Photos The Commons 20under20 Galleries World Map App Garden ...
BAM poets Amiri Baraka and Maya Angelou doing the BAM BAM!

We suggest the Marcus Garvey Unity Parade in honor of the man who taught us Black Unity.
"Up you mighty people, you can accomplish what you will!" He gave us the Red, Black and Green after hearing a racist song, "Everybody got a flag 'cept a Coon!"Let's do the BAM BAM!



For more information about this proposed event, call 510-200-4164 
jmarvinx@yahoo.com

Dr. Nathan Hare does the BAM BAM in preparation for the Marcus Garvey Unity Parade and Founders Concert in celebration of the Black Arts Movement Business District

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<b>Marcus</b> <b>Garvey</b> Riding In Car in U.N.I.A. <b>Parade</b>
 The Honorable Marcus Garvey

We think North American Africans in Oakland should celebrate the Black Arts Movement Business District with a Marcus Garvey parade down 14th from MLK, Jr. Way to Lake Merritt for a rally and festival. King Theo of the Malonga Center should lead the people with his dancers doing the BAM BAM  (suggested by Dr. Nathan Hare). Dr. Hare says, "BAM BAM in boxing connotes a quick one-two punch."
Doc can still throw a punch. He turns 80 April 9, same birthday as ...

Dr. Nathan Hare, Sociologist, Clinical Psychologist, Father of Black and Ethnic Studies, former professional boxer, demonstrates the BAM BAM for Marvin X.



BAM photographer/videographer Kenny Johnson said, "We gonna be doin da BAM Thang everywhere."



Black artists gather at Frank Ogawa/Oscar Grant Plaza in front of Oakland City Hall, prior to City Council vote that established the Black Arts Movement Business District, January 12, 2016.
Front: Khalid Waajid; Amir Aziz, Duane Deterville, Judy Juanita, Eric Arnold, Tureada Mikell, Marvin X, Tarika Lewis, DeMar-con Gipson, Blystk Kmba, Crsna Cox, Jaenal Peterson, Jahaninh Omi Bahari, Janeah Taylor, Yancie Taylor, Tracy Mitchell, Ron Linzie, Dennis X, Wanda Ravernell
photo Adam Turner


President of Oakland City Council, Lynette McElhaney 
Thanks BAMBD Community Planners
 
Hello all:
I want to appreciate all of the culture keepers for supporting this effort and expanding upon this concept.  I cannot tell you how gratified I am that what I once believed to be a personal idea was actually me tapping into the wellspring of passion and love for this concept that long predates my arrival on the council.  I am humbled.  Spirit is all-knowing and all-wise and I am truly honored to be in a position to help fulfill - or at least facilitate - the fulfillment of this community desire.
While I appreciate everyone's contributions, I want to extend a very special note of thanks to Joyce Gordon (an absolute gem), Duane Deterville (whose cogent presentation helped me see the importance and power of linking this effort to historic and global movements), Paul Cobb (whose deep knowledge of people and place fully expanded my appreciation of the corridor) and Marvin X, who, without doubt, has been the most vocal proponent for the celebration of the Black Arts movement and the claiming of a space to honor the contributions of Black artists.  I also want to thank the business owners Craig, Geoffrey, Oscar, Corey and Veronica and city staff for their insight and support.

This is just the first step.  We have a lot more work to do.  Looking forward to expanding the team and finding ways to fund the vision.
With deep Oakland-love, Lynette


Council President Lynette McElhaney, Marvin X, Duane Deterville; Middle row: Gerry Garzon (Oakland Public Library), Tureeda Mikell, Jaenal Peterson, Aries Jordan, David McKelvey, Eric Murphy (Joyce Gordon Gallery); Back row: Eric Arnold, Kwesi Wilkerson, Charles Johnson, Alicia Parker (Oakland Planning Department), Shomari Carter (Supervisor Keith Carson's Office). Far right: Elder Paul Cobb, Publisher, Oakland Post News Group. 

Marvin X comments on Town Hall Meeting on Gun Violence, hosted by Congresswoman Barbara Lee

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Oakland Town Hall Meeting on Gun Violence
Hosted by Congresswoman Barbara Lee
January 30, 2016, 1PM
Taylor Memorial United Methodist Church
1188 12th Street
West Oakland CA

Fifty years later, it is almost impossible for me to attend rallies against the police for murdering our young men and women. I applaud  people like Oakland's Cat Brooks, Chepus Johnson and the Black Lives Matter Movement. Thank God they have the energy. After fifty years, I'm emotionally and mentally drained, especially after losing my own son to suicide. Imagine, on psycho drugs, he walked into a train, a brilliant young man who graduated from UC Berkeley, attended Harvard and studied in Syria at the University of Damascus. Dr. Nathan Hare says suicide and homicide are but different sides of the same coin, often situational disorders caused oppression. Often homicides are suicides because the person didn't have the nerve to kill himself so he made someone else do the job. Franz Fanon said the only way the oppressed can regain their mental health is by engaging in revolution to end oppression. Revolution is seizing power. Ras Baraka has demonstrated this in Newark, NJ. And he was blessed with revolutionary parents, so he is well trained for his mission to transform Newark, NJ, a city much like Oakland.
--from Part two: My life in the Global Village by Marvin X

They advise you when you are faced with a terrorist that you should hide, run or fight, but when your babies are dying,  it's time to start fighting!--Dr. Ayodele Nzinga 

Barbara Lee: We’re not getting enough HUD help 
US Congresswoman Barbara Lee

Despite my declaration to myself that I would cease attending meetings on police and/or Black on Black homicide (for my mental health), this Saturday I found myself at a Town Hall meeting on Gun Violence, hosted by Oakland's beloved Congresswoman, the Honorable Barbara Lee. The meeting was moderated by the Honorable Lateefah Simon and Special Guest Lynette McElhaney, President of the Oakland City Council, with youth panelists Treyvon Godfrey and Dane'Nicole Williams.

The meeting began at 1PM but I had arrived at 10AM, confused about the time after a Friday tumultuous but insightful conversation with my childhood friend and co-worker on the Black Arts Movement District, Paul Cobb, also publisher of the Post News Group. Paul had to inform me that we are now officially recognized in the 14th Street corridor, downtown Oakland, with the monumental task of creating the Black Arts Movement Business District, not for ourselves but generations to come for the next fifty to one hundred years.

We were both blessed to have grown up together on West Oakland's 7th Street, Harlem of the West, end of the line for the Amtrak train and headquarters of the Pullman Porters Union, the first Black union in America, founded by A. Phillip Randolph and Oakland's C.L. Dellums, uncle of Oakland's radical Congressman, Ronald V. Dellusms, also a former mayor.

Paul and I often fondly recall growing up in West Oakland, a Black cultural and economic district, similar to San Francisco's Fillmore and New York's Harlem. We were blessed with parents and relatives known as RACE MEN and WOMEN, i.e., people dedicated to the upliftment of the North American African nation. Our parents were inspired by the Marcus Garvey Movement. Before moving to Oakland, my parents published a Black newspaper in Fresno The Fresno Voice. In Oakland they became florists at 7th and Campbell. Paul's relatives owned a grocery store near 7th and Pine.



Paul Cobb and Marvin X
photo Walter Riley, Esq.


When we learned there was talk of a Black Business and Cultural District along the 14th Street corridor, Paul said, and I agreed, well, ok, let's move from 7th to 14th Street, that's a double up!
After the City Council passed legislation establishing the Black Arts Movement Business District, Paul urged me to become more politically astute. "You got to stop writing all day and connect with people. Don't be selfish but invite others under the BAMBD tent. You have been successful, so let the community enjoy the success! You can expand on your success or shoot yourself in the foot and destroy the "movement" you have created. Let the entire community rejoice in this BAMBD project. Do the necessary things to make it legitimate so no one can say you are running a fraud or scam."

In truth, Marvin X has no desire to run a scam. He's called for a billion dollar trust fund for BAMBD, not for himself, but to lay the foundation for generations to come. "I have no need of a billion dollars. I'm beyond money. People ask me how I get things done, how I bring people together like Sonia Sanchez, Nikki Giovanni, Angela Davis, the Last Poets, Askia Toure, Haki Madhubuti, Dr. Cornel West, Danny Glover. I reply that I get on the telephone and  tell them what I'm doing. They know I'm not running a scam! After all, we've known each other, most of us, fifty years. We are true troopers. We've gone through revolution and those of us who've survived know we are true to the game! We'll take a bullet for each other!"

 Angela Davis, Marvin X, Sonia Sanchez
p
 Marvin X and Danny Glover, both were in the BSU at San Francisco State University; later Danny performed in Black Arts West Theatre, San Francisco, 1966, co-founded by Marvin X and playwright Ed Bullins.
photo Kenny Johnson

BAM co-founders Amiri Baraka (RIP) and Marvin X
After a 47 year friendship, this was their last picture together 
cerca 2014

Because Paul Cobb wanted me to connect with Congresswoman Barbara Lee, especially since she gave the Black Arts Movement a commendation on last year's 50th anniversary and sent a representative from her office to ask what I needed for the celebration at Laney College, I returned to the church about one thirty, just in time to hear a video of President Obama discussing gun violence. As I listened to him, my mind said America is the number one arms merchant of the world so why does she not expect  "blow back" for the mass murder of men, women and children around the world, mostly poor people in mud huts without electricity, clean water and bathrooms, full of ignorance, disease and reactionary religiosity? How can you, Mr. President, have a weekly check off list of people to kill around the world, including American citizens, yet not expect blow back? The universe doesn't work like this. As James Baldwin said, "The murder of my child will not make your child safe!"

We appreciate you, Mr. President, but do the right thing: transfer that trillion dollar military budget into education, housing and jobs for poor and middle class Americans. Offer America's marginalized young men and women the same three things you offer insurgents in Iraq and Afghanistan if they stop the violence and pledge allegiance to their constitutions: education, housing and jobs.

And stop cherry picking prison reform, give a general amnesty to the 2.4 million incarcerated brothers and sisters, 90% of whom were dual diagnosed at the time of their arrests, i.e., they suffered drug abuse and mental illness, not to mention their pervasive economic condition of dire poverty, unemployment and miss-education.


After the video of President Obama, the Town Hall meeting began with a panel discussion moderated by Lateefah Simon. She introduced the panelists that included youth and politicians Barbara Lee and Lynette McElhaney, President of the City Council. Thus began the session dealing with the trauma and grief I had vowed to avoid after fifty years of the same. But it was inescapable because I was trapped in the room, sitting next to Paul Cobb, my friend of nearly 65 years. People began to testify, from youth to adults, including Lynette McElhaney, President of the City Council, who's just buried her grandson due to violence. We heard from high school students who'd suffered the lost of twenty friends in the last year. Unbelievable! One student said she'd lost eight of her friends. Then a mother spoke who said she'd lost both her sons and was now childless. She said the killers walk around the community without fear, are often arrested for gun related charges but released. The distraught mother said no gun laws would prevent such killers from their mayhem. Tears began to swell in my eyes.

FYI, in 1979 I was teaching at the University of Nevada, Reno part time and working full time as a planner for a Community Services Agency, living a good life. But I used to read the San Francisco Chronicle to keep abreast  events in the Bay Area until I got tired of reading about the Oakland police killing one Black man per month. One morning I read the Chronicle to see the OPD had killed another Black man so I read no further, throwing the paper down in disgust, but picking it up later only to turn to the back page to discover the youth the OPD had killed that day was my best friend's 15 year old brother, Melvin Black. There was a picture of my friend Rahim and his sister Charla Black protesting outside Oakland City Hall. I was horrified, then numb but soon received a call from my comrades in Oakland who told me to get the hell out of Reno and come help the family and community in their grief.

I resisted because I was living the good life, being treated royally by the Reno Mormon conservatives. You know Black nationalists get along great with racists better than we do with pseudo white liberals--see Martin Luther King, Jr.'s Letter from a Birmingham Jail. FYI, Nevada is the most conservative state in the union--Gov. Ronald Reagan's presidential campaign was run from Reno, Nevada--his best friend was Reno Senator Paul Laxault, and the head of the Republican National Committee was Frank Ferankaf of Reno.

Aside from teaching at UNR, Nevada Community College and CSA, I received two conference planning grants from the National Endowment for the Humanities via the Nevada Humanities Committee.

I was able to invite Eldridge Cleaver and other Bay Area folks  to participate in two conferences I produced for the Nevada Black community: Dr. Harry Edwards, Nantizi Cayou, Dr. Wade Nobles, Professor Sherely A. Williams, Sacramento Bee writer Fahizah Alim, et al.

I finally decided to depart Reno and return to the battleground of Oakland to helpe organize a rally at the Oakland Auditorium in which five thousand Blacks gathered from 12 noon til midnight without incident, as reported in the San Francisco Sun Reporter by Edith Austin, Godmother of Bay Area Black politics (RIP).

After the rally with participants Angela Davis, Paul Cobb, Oba T'Shaka, Dezzie Woods Jones, Dr. Yusef Bey, Eldridge Cleaver, Donald Warden, aka Khalid Tariq Al Mansour, and Minister Farakhan, the OPD killing of Black men stopped but Crack cocaine and drive by killings began and has continued until today. I worked with Oakland's Mother Theresa, Betty King (RIP) and her Neighborhood Pals, Inc., and with mother's who'd lost sons to drive by killings in the turf wars that followed the cessation of OPD killings under the color of law. A Police Review Board was established that was impotent and exists today with the same impotency.

Today, I sat listening to the testimonies of those suffering grief and trauma from America's 400 year war against North American Africans, victims of the American Slave System as Ed Howard informed us.

Oakland Post Editor Chanucey Bailey
assassinated in broad daylight, downtown
Oakland, 14th and Alice, now the BAMB
District

Suddenly a man came up to Paul Cobb threatening his life over an article that was published in The Oakland Post. (Paul's Editor, Chauncey Bailey, was assassinated in broad daylight at 14th and Alice, over an article that was never published and the material was public information!) The man continued threatening Paul, claiming the article put him and his family's life in jeopardy and if anything happened to any member of his family, Paul was going to pay.  An undercover OPD officer heard the conversation and ushered the man out the church.

Now I was truly traumatized and full of grief, ready to depart to my space to recover, which means I was ready to go write about today's dramatic events. I stayed on to greet and take a picture with Congresswoman Barbara Lee and converse with others present, including Comedian Donald Lacey who is pushing a sign saying LOVE LIFE as people enter Oakland on the freeway. Donald's daughter was murdered while sitting in a car across the street from McClymonds High School, once and still Oakland's School of Champions.

We stayed with Paul until the OPD officers arrived and he filed a complaint.

Can you believe this incident with Paul happened at a church event to curb gun violence? We know violence in our community is so pervasive it occurs at funerals of violence victims. There is no end to this madness! In a 1968 interview with James Baldwin at his New York apartment, he said to me, "It's a wonder we all haven't gone stark raving mad!"
--Marvin X
1/30/2016
Part Two: My life in the Global Village: Notes of an Artistic Freedom Fighter


From Part Two: My life in the Global Village
Notes of an Artistic Freedom Fighter


I have called for the Red, Black and Green flag to fly up and down the Black Arts Movement Business District along the 14th Street corridor, downtown Oakland. Saluting the flag should help us regain our mental equilibrium and make others, including police, recognize we are a nation of people and must be respected as such. I often give the example of the gay/lesbian flag that flies down Market Street in San Francisco as one goes toward the gay/lesbian community. By the time one gets to the  community, one gets the feeling that we must have respect for this community and not engage in homophobic language and behavior. It should and must be the same in the BAM Business District. This must be a sacred space that we must respect. And this vibration must spread throughout our community. I suggest the Red, Black and Green fly throughout our community to let ourselves and the world know we are a people with cultural consciousness, who originated from the womb of civilization. It will help us understand when we kill our brothers and sisters, we kill ourselves. When others kill us, they kill themselves as well. James Baldwin said, "The murder of my child will not make your child safe!"
--Marvin X
1/17/16

Marvin X- "Black History is World History" (poem written in the 80's)@Fr...

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Black History is World History by Marvin X, 

The USA's Rumi, Plato, Saadi, Hafiz--Bob Holman, Ishmael Reed


Black History Is World History


By

Marvin X



Before the Earth was
I was
Before time was
I was
you found me not long ago
and called me Lucy
I was four million years old
I had my tools beside me
I am the first man
call me Adam
I walked the Nile from Congo to Delta
a 4,000 mile jog
BLACK HISTORY IS WORLD HISTORY
I lived in the land of Canaan
before Abraham, before Hebrew was born
I am Canaan, son of Ham
I laugh at Arabs and Jews
fighting over my land
I lived in Saba, Southern Arabia
I played in the Red Sea
dwelled on the Persian Gulf
I left my mark from Babylon to Timbuktu
When Babylon acted a fool, that was me
I was the fool
When Babylon fell, that was me
I fell
BLACK HISTORY IS WORLD HISTORY
I was the first European
call me Negrito and Grimaldi
I walked along the Mediterranean from Spain to Greece
Oh, Greece!Why did you kill Socrates?
Why did you give him the poison hemlock?
Who were the gods he introduced
corrupting the youth of Athens?
They were my gods, black gods from Africa
Oh, Socrates, Plato and Aristotle
Whose philosophy did you teach
that was Greek to the Greeks?
Pythagoras, where did you learn geometry?
Democritus, where did you study astronomy?
Solon and Lycurgus, where did you study law?
In Egypt, and Egypt is Africa
and Africa is me
I am the burnt face, the blameless Ethiopian
Homer told you about in the Iliad
Homer told you about Ulysses, too,
a story he got from me.
BLACK HISTORY IS WORLD HISTORY
I am the first Chinese
China has my eyes
I am the Aboriginal Asian
Look for me in Vietnam, Cambodia & Thailand
I am there, even today, black and beautiful
BLACK HISTORY IS WORLD HISTORY
I used to travel to America
long before Columbus
came to me asking for directions
Americo Vespucci
on his voyage to America
saw me in the Atlantic
returning to Africa
America was my home
Before Aztec, Maya, Toltec, Inca & Olmec
I was hereI came to Peru 20,000 years ago
I founded Mexico City
See my pyramids, see my cabeza colosal
in Vera Cruz and Yucatan
that's me
I am the Mexican
for I am mixed with all men
and all men are mixed with me
I am the most just of men
I am the most peaceful
who loves peace day and night
Sometimes I let tyrants devour me
sometimes people falsely accuse me
sometimes people crucify me
but I am ever returning I am eternal, I am universal
Africa is my home
Asia is my home
Americas is my home
BLACK HISTORY IS WORLD HISTORY

This poem was written circa 1982 while Marvin X taught English at Kings River College, his last teaching gig.

Suggested reading list

The complete works of J.A. Rogers
The World and Africa, W.E.B. DuBois
Stolen Legacy, George M. James
The African Origin of the Major Religions, Dr. Yosef Ben-Jochannan
Message to the Black Man, Elijah Muhammad
They Came before Columbus, Ivan Van Sertima
"African Explorers in the New World, " Harold Lawrence,
Crisis, June-July, 1962. Heritage Program Reprint, p. 10
The Destruction of African Civilization, Chancellor Williams.
The Cultural Unity of Africa, Cheikh Anta Diop.
Man, God and Civilization, John G. Jackson

Marvin X is now available for speaking engagements readings/performance
Call 510 200 4164
send letter of invitation to
jmarvinx@yahoo.com

When Parents Bury Children

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Amiri Baraka, Jr., Amiri Baraka, Amina Baraka

 When Parents Bury Children

for the Barakas on the loss of Shani Baraka
<b>Shani</b> <b>Baraka</b> (left) and Rayshon Holmes (right) via NJ.com
 Shani Baraka and her partner, Rayshon Holmes, were murdered

Death!
a pain nothing can kill
no words suffice
no tears complete
we are numb
alive
yet dead inside
walk with pride
hiding open wounds
a bleeding only you
can see touch feel
others try
some are true
honest
but do they really know
the pain of loss
a child
so young so bright
now the emptiness forever
except the memory of all the yesterdays
from birth til now
thoughts of joy confound
make us smile
if only for a moment
like eternity
then gone into the night of forever
and so we walk
crippled yet brave
each day wondering
pondering
the price of life and love
cost of moments lost yet found again
as we walk and talk
to the spirit world
where death does not enter
only living water flows
as we flow
between life and spirit
which are one.
--Marvin X
9/29/03

The Wild Crazy Ride of the Marvin X Experience

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Marvin X on National Book Tour: The Wisdom of Plato Negro, parables/fables

Marvin X is on national tour with his book The Wisdom of Plato Negro, parables and fables, Black Bird Press, 2012. He is looking for venues in the following cities:

September

Houston, Texas
Atlanta GA
Savannah GA
Beaufort SC

October

Washington DC
Philadelphia PA

November

Newark NJ
Brooklyn NY
Harlem NY
Boston MA

If you would like to book him in the Dirty South, please call Nefertiti Jackmon @ 832-549-0937. For East Coast booking, contact Muhammida El Muhajir  @ 718-496-2305. Email Marvin X: jmarvinx@yahoo.com.


Three Reviews of the Wisdom of Plato Negro, parables/fables by Marvin X



Marvin centers himself in his “classroom/clinic,” his “Academy of da Corner” at 14th and Broadway, Oakland, California. There he sells his “empowering books” and offers insight, advice to mothers (e.g., “Parable of the Woman at the Well,” 58), wives (e.g. “Parable of the Preacher’s Wife,” 29), and lovers. “Other than the white man, black men have no other pressing problem—maybe with another brother, but 90% of the brothers come to Plato with male/female problems” (“Parable of a Day in the Life of Plato Negro,” 148).-- from review by Rudolph Lewis


Review by Rudolph Lewis
 
 
For Marvin X, a founder and veteran of the Black Arts Movement of the late 60s/early 70s, we who strive for a rebirth of humanity must choose to be a mentor rather than a predator. “No matter what, I am essentially a teacher,” he lectured at California College of the Arts, where he was invited by poet devorah major. Marvin has taught at Fresno State University; San Francisco State University; UC-Berkeley and San Diego; University of Nevada, Reno; Mills College, Laney and Merritt Colleges in Oakland. But, Marvin warns, “The teacher must know . . . no matter how many years he gives of his soul, his mental genius is not wanted” (“Parable of the Poor Righteous Teacher,” 12).

Gov. Ronald Reagan ran him out of Fresno State University, 1969, with the help of the FBI’s Cointelpro which employed a hit man who sought him out after an agent provocateur murdered his choir director Winfred Streets, who died from a shotgun blast to the back (“Parable of American Gangsta J. Edgar Hoover,” 171).

Pressured out of black studies academia, Marvin contends such programs now attract “sellout” Negroes, or if such African American elites are sincere and dedicated and allowed to remain, many die early from “high blood pressure, depression, schizophrenia, paranoia.” One or more such conditions, he believes, brought on the early and unexpected deaths of poet June Jordan, scholars Barbara Christian, and Veve Clark at UC Berkeley and Sherley Ann Williams at UC San Diego (“Parable of Neocolonialism at UC Berkeley,” 115). There remain nevertheless many educated colored elite all too willing to put “a hood over the hood” and lullaby the masses with “Silent Night,” while “colonialism [is] playing possum” (“Parable of the Colored People,” 42).

In “Wisdom of Plato Negro,” Marvin teaches by stories, ancient devices of instruction that appeal to a non-literate as well as a semi-literate people. (Fables differ from parables only by their use of animal characters.)  The oldest existing genre of storytelling used long before the parables of Jesus or the fables of Aesop, they are excellent tools, in the hands of a skilled artist like Marvin X, in that he modifies the genre for a rebellious hip hop generation who drops out or are pushed out of repressive state sponsored public schools at a 50% clip. Marvin X is a master of these short short stories. Bibliographies, extended footnotes, indexes, formal argumentation, he knows, are of no use to the audience he seeks, that 95 percent that lives from paycheck to paycheck.

These moral oral forms (parables and fables), developed before the invention of writing, taught by indirection how to think and behave respecting the integrity of others. Marvin explained to his College of Arts audience, “This form [the parable] seems perfect for people with short attention span, the video generation . . .  The parable fits my moral or ethical prerogative, allowing my didacticism to run full range” (“Parable of a Day in the Life of Plato Negro,” 147). But we live in a more “hostile environment” than ancient people. Our non-urban ancestors were more in harmony with Nature than our global racialized, exploitive, militarized northern elite societies.

The American Negro or the North American African, as Marvin calls his people, is a modern/post-modern phenomenon, now mostly urbanized, and living in domestic war-zones for more than three centuries. Black codes have governed their speech and behavior; they have been terrorized generation to generation since the early 1700s, by patty rollers, night riders, lynchers, police and military forces, usually without relief by either local or federal governments, or sympathy from their white neighbors or fellow citizens, though they have bled in the wars of the colonies and the nation to establish and defend the American Republic. Their lives have been that of Sisyphus, rising hopes then a fall into utter despair. Such are the times we still live.

To further aide the inattentive reader, most of the 83 sections of this 195-page text begins with a black and white photo image. Although most of these parables were composed between January and April 2010, some were written earlier. A few were written in 2008 (e.g., “Parable of the Basket,” 109) during the election campaign, and a few in 2009 (“Parable of Grand Denial,” 153) after the installation of Barack Obama as president of the United States. Three of these short short stories—“Parable of the Man with a Gun in His Hand,” “Parable of the Lion,” and “Parable of the Man Who Wanted to Die”—were first published in the June 1970 issue of Black World. His classic “Fable of the Black Bird” (86) was written in 1968. The “Fable of the Elephant” (7) and the “Fable of Rooster and Hen” (97) are quite similar in form and style to the black bird fable.

Marvin’s traditional or “classic” parables and fables, written during the BAM period, differ from the ancient fables and parables, which were told in an oral setting within a rural community with some wise men available by a campfire or candle light to explain the story told. In written form the writer in some manner must explain or make the meaning evident, preferably without the mechanical explanation tacked on. That would be a bore and not quite as pleasing to a hip urban audience, as what has been achieved by Marvin’s improvisation on the genre.

Thus Marvin uses humor, sarcasm, irony, exaggerated and sometimes profane language of one sort or another to capture the inattentive reader’s attention. In the first parable, “Parable of Love” (2), Marvin explains, “every writer is duty bound to speak the language of his people, especially if he and his people are going through the process of decolonization from the culture of the oppressor.”  His parables are “highly political” and intended also as a kind of “spiritual counseling.” As he points out in “Parable of Imagination,” artists in their work must “search the consciousness for new ways of representing what lies in the depth of the soul and give creative expression to their findings” (160).

“Under the power of the devil,” our lives tell us a story we hardly understand, Marvin discovered from his teachers Sun Ra, Elijah Muhammad, and others. The church, the mosque, the temple do not provide the needed spiritual consciousness for out time. Nor do 19th century radical political ideologies. As Stokely Carmichael told us in 1969, ideologies like communism and socialism do not speak to our needs. They do not speak to the issue of race. We are a colonized people, he argued, whose institutions have been decimated, our language mocked (e.g. Bill Cosby), our culture when not yet appropriated and stolen called “tasteless” by black bourgeois agents or stooges (e.g., Jason Whitlock in his criticism of Serena Williams at Wimbledon doing a joyful jig after her victory and winning a gold medal).

In “Wisdom of Plato Negro,” Marvin X is about the work of decolonization, though BAM has been commodified as a tourist icon at academic conferences and in university syllabi. The “sacred” work of the artist remains. Its object is to “shatter lies and falsehoods to usher in a new birth of imagination for humanity” . . . to “promote economic progress and political unity” . . . to undermine “pride, arrogance, and self-importance” (160). Although he is critical of the black bourgeoisie, Marvin knows that they have skills our people need, that we must find a way to bring them home. They must  learn to have as much respect for the Mother Tongue as they have for the King’s English (“Parable of the Black Bourgeoisie,” 35).

“Wisdom of Plato Negro” deals not only with the political but also with the personal. That means he cannot live his life in an academic (or ivory) tower, or up in a mountain, writing and publishing books. In “Parable of the Man Who Left the Mountain,” written in 2008, he explains, “in the fourth quarter of my life, I can only attempt to finish the work of being active in the cause of racial justice, of using my pen to speak truth, to put my body in the battlefield for the freedom we all deserve” (45). 

Though he sees the problem as economic and political, one that keeps us poor and powerless, our oppression is “equally” one that creates “a spiritual disease or mental health issue.” (45). Racial supremacy for him not only affects the body or the potential to obtain wealth, it also affects the soul. It is at the heart of the drug war crisis. Black people seek to “medicate” themselves with drugs or the ideology of racial supremacy to find relief from the pain of racial oppression and the suppression of the imagination. Drugs and racial supremacy both are addictive and create dependency. In numerous instances, Marvin calls for moderation of desires and discipline, to “detox” from an addiction to racial supremacy and other “delusional thinking” (“Parable of Sobriety,” 177).

Marvin centers himself in his “classroom/clinic,” his “Academy of da Corner” at 14th and Broadway, Oakland, California. There he sells his “empowering books” and offers insight, advice to mothers (e.g., “Parable of the Woman at the Well,” 58), wives (e.g. “Parable of the Preacher’s Wife,” 29), and lovers. “Other than the white man, black men have no other pressing problem—maybe with another brother, but 90% of the brothers come to Plato with male/female problems” (“Parable of a Day in the Life of Plato Negro,” 148). In contrast to his street work, the racial experts seem rather lost. Marvin reports on a 2008 conference held in Oakland by the Association of Black Psychologists, which has a membership of 1,500 Afrocentric psychologists. Even the experts with two and three Ph.D., “victims of white witchcraft,” he discovered do not know how to heal the community. When leaders don’t know, “why not turn to the people?”  (“Parable of the Witch Doctor,” 24).

There is much more that can be gained from a slow reading of “Wisdom of Plato Negro” than what I have tried to recall in this short report. Marvin X writes about such topics as sexuality and creativity and their relationship, on war, the weather and global warming, and numerous other topics that all tie together if we desire to bring about a rebirth of humanity. This highly informative, insightful, and creative volume can be of service to the non-reader as well as students and seasoned scholars, if they want to be entertained or to heal their bodies and souls so that they can become mentors rather than predators.

“Wisdom of Plato Negro” ends with the “Parable of Desirelessness” (193), which mirrors the “Parable of Letting Go” (61). In the materialist culture of contemporary capitalism we are beset on all sides by “greed, lust, and conspicuous consumption.” There are a “billion illusions of the monkey mind” that lead nowhere other than an early death, suicide, or cowardly homicide. We all must “hold onto nothing but the rope of righteousness.” That will guide us along the straight path to full and permanent revolution and liberation.

Rudolph Lewis is the Founding Editor ChickenBones: A Journalwww.nathanielturner.com 
 .

Additional Notes by Rudolph Lewis on The Wisdom of Plato Negro


Thanks, Marvin, I am deep into the Parables. I am looking at the construction of the book. I see that you have shortened it. I found your parable of the lecture at the California College of Arts helpful in that it presented a brief response to what your parables are. I have taken about fives pages of notes, many come from Parable of Imagination. That was masterful in your insight into the role that the educational system play in the suppression and the oppression of those on the margins, particularly black youth.

I'll try to keep the review short (500 words or so) but we'll see. I am still making myself pregnant. I have been skipping about in the text, which may indeed be advantage for the reader you have in mind. But I wanted to see how you constructed the work. I see that most of the pieces were written between January and April of 2010. But you also have pieces from 2008 and 2009, and pieces published in 1970 and 1973. I do not know that you called them "parables" at the time.

I am still meditating on the whole notion of "parable" and "fable." I checked the dictionary definitions. I have yet to read the fables. I have read at least one of the dialogues. I will get to the one on "bitch" sometime tonight. I remember the parable of the man who talked to cows. That was indeed humorous.

In any case my present task is to finish reading the last four or five parables. I am now on the Hoover piece and your experience with the FBI. You are rare indeed: to have been steeped in all of that and lived to the tell tale, and to tell it as boldly as if you were still there. As Gore Vidal pointed out in writing his memoir, Memory is piled upon memory upon memory, and so we remember our memories for we tell them through filters of life, knowledge, and years and years of intellectual and other experiences.

But the thing is that so many who lived through the experiences of the 60s and 70s are living other lives, lives of the status quo, lives that they owe to the company store. You may in this incarnation of Marvin  be the only revolutionary of the 60s an 70s who is struggling as ever for a "revolution of conscious and society" in the present. I have looked at some of the material from the 50th anniversary of SNCC and other civil rights veteran. Their memories do not inform their present.

Of course, Julius Lester may be an exception. He was always a man of the Imagination. But I have not kept up with his novels. Some of them however seem quite to the point, though I do not know how he resolves the conflict that continues, or exactly who his audience is. As you may know he is now a Jew.

In any case, your Call for a Renaissance of the Imagination is exceedingly important. What seems most important is that you never cut yourself off from the lumpen (the dopefiends, the hustlers, the workers), those who have tragic relationships with their lovers and children, those who can’t afford a $100 an hour psychiatrist. It is indeed important that you point out the deficiency of health care in our communities and how everything is commodified in the interest of the few.

Your "classroom/clinic" has kept you grounded to the realities of racial oppression. Many racial activist have sold their souls and become wheeler/dealers of the powers that be. A few went into city and state government, like Marion Barry and courtland Cox, and Ivanhoe Donaldson, and Julian Bond and John Lewis. Many are union execs, and on the leash of their whites bosses. Union execs are part mafia/part political hacks of the Democratic Party. Obama can kill a million spy on hundreds of millions and they will die for Obama, rather than the common man, woman, and child. Of course, like any sane conscious person Obama is preferable to Romney and Tea Party. But to die for Obama is to lose the way of ethics in defense of humanity.

Well, what I am trying to say. I am deep into your Wisdom, in your thought, thinking and construction of a literary work that is quite post-modern, an interactive text that would not have been possible before the invention of the web, as indicated by your dialogues.

My only comparison to what you have done is Jerry Ward's "The Katrina Papers." Of course, his book is grounded by the destruction of an American city, New Orleans , and the tragic destruction of his own home and much of its contents, including papers, records, tapes and other personal items.

But of course, your work is grounded by your Academy of the Corner, and your daily contact with the ongoing tragedies of our people. Those stories are told in your parables. I thank God for a Marvin X, a Plato Negro.

I will try to have a review of the book by Wednesday.

Loving you madly, Rudy
Rudolph Lewis, Editor
ChickenBones: A Journal
Muhammad Speaks Reviews the Wisdom of Plato Negro
Marvin X has provided a reflective  work that explains the condition of Black people in America today. He not only explains how we have arrived at this wretched juncture in our history, but offers wisdom as to how we may regain the love of self and family that was decimated through the drug and cultural wars that were aimed at our people.

It is sad to note that a people who were coming of age and promise in the 1960’s and 1970’s were nearly destroyed by the ‘deliberate’ crack epidemic which robbed us of ourselves, and robbed our children of their parents.
Marvin X candidly admits that his addiction to crack robbed his children of their father and his wife of a husband. 

The reader is indeed lucky that he survived his addiction, and that his talent for writing and storytelling survived so that his work may live as a testament and instruction to future generations.

He rightly describes the current economic crisis Black America sees itself in as our being the ‘donkey’ of the world that every other people ride to economic prosperity.  Black people live with this reality daily, as we patronize others who come to this country sell us food, liquor, do our nails, sell us hair, and the list goes on.  We witness them take our money, and deliberately not live in our community.  We know that they would never think of patronizing us.  Yet, we are willing participants in our own exploitation.

Why do we continue this path to economic destruction? Are we like the parable of the elephant as described by Marvin X? The circus elephant   tied by a simple rope and did as his trainer instructed, until one day, he decided to break free, wreaking havoc on everything in his path?

Are we Samson, who brought the pillars down on the temple and destroyed himself along with his tormentors?

The Wisdom of the Plato Negro is a must read for it explains the contemporary condition of our people. What path we will take to correct this condition is in our hands.

Raushana Karriem
Editor-in-Chief Muhammad Speaks Newspaper, Atlanta GA
8/29/12




Review by Ishmael Reed 
Professor Emeritus, UC Berkeley


If someone would write a book de-mythologizing the Black Power movement, how would they assess it? One of great nobility, or one of hypocrisy, one of courage or one of cowardice, one that fostered change in the status quo, or one
that was part of the problem. Or would one conclude that it was one having mixed results.
       
That it  modified the direction of The Civil Rights Movement, which was heading toward Anglo Saxon assimilation, the way that many Irish, Italian and other white ethnic groups lost their roots and thereby lost their souls, is indisputable. 

Marvin X, who is not only a terrific writer but a Black Power historian has served us well by listing all of the 60s poets who were influenced by Islam and other non-Western sources, (though, without Muslim scholars there’d be no Western civilization.) 

African writers, whom I interviewed for my book about Muhammad Ali find African American Muslim conversion puzzling since they view Islam as an invader’s religion and one that treats the indigenous population, harshly, but one cannot underestimate the influence of Islam upon the world.

However,if I had to pin down the influences upon Marvin X’s The Wisdom of Plato Negro,Parables/Fables,I would cite the style of Yoruba texts. I studied for some years under the tutoring of the poet and scholar Adebisi T.Aromolaran ( “ Wise Sayings For Boys and Girls”)and was guided through some texts in the Yoruba language which revealed that didacticism  is a key component of the Yoruba story telling style. Africans use proverbs to teach their children the lessons of life. Marvin X acknowledges the Yoruba influence on his book, The Wisdom of Plato Negro, Parables/Fables.

  He imparts wisdom by employing cautionary tales and uses his own life and mistakes to consul the young to avoid mistakes. George Bernard Shaw said that if you don’t write your own plays, others will write them for you and they will “degrade”and “vulgarize” you. As part of a grant, I attended local theater for three years and found the portraits of blacks to be offensive,mostly. The women were prostitutes and the men were like the black man in “Precious,” a bestial evil. 

Marvin X in “One Day In the Life”, his classic play about recovery, which I saw at the Black Rep., the only local theater that doesn’t depend upon a audience that desires guilt free productions, was one of the few plays that wasn’t escapist, or preached post racism or blamed the victim.

Moreover, unlike some of the books written by popular African American writers, his book does not look backward to the period of slavery, though some of that is here. He writes about the contemporary problems of a community under attack. He blames crack for causing “ a great chasm between adults and children, children who were abandoned,abused, and neglected, emotionally starved and traumatized.”
       
Pundits,scholars and reporters who have posed as experts on the inner city, but
don’t live here, have blamed the middle class for abandoning the urban centers.They’re wrong. The middle class is making all of the cash from profits from vice. They run the motels, where the prostitution trade takes place. 

When Oakland City Attorney Barbara Parker slapped an injunction against two prostitution hotels which were scenes of child sex trafficking, beatings and rapes by pimps, the proprietors complained that she cost them $80,000.

The middle class are the absentee landlords, who plopped down a crack house in my neighborhood, they’re storeowners who make hundreds of thousands of dollars selling liquor. None of these proprietors is black! When I asked the Muslim who runs the Northside Supermarket, who was paid a fawning tribute by a clueless Chronicle reporter, who painted him as some kind of Santa Claus, when those attending our neighborhood crime meetings have complained about the criminal activity in from of his store for years,I was called out of order by an Oakland policeman, who turned out to be a friend of his, when I asked what a Muslim was doing selling liquor?

I wrote, “I am sure that I’m not the only North Oakland resident who is outraged by Chronicle writer, Justin Berton, portraying Yahya ‘Mike" Korin of Northside Supermarket as some kind of neighborhood Robin Hood who hands out turkeys to the poor at Xmas.

“I've attended meetings over the years, where our neighbors, black, white, and Hispanic, have complained about this store which attracts some of the most unsavory elements in our neighborhood and whose violent behavior has threatened the safety of our residents.” I had to mention whites because “Mike” was claiming
that only newcomers were protesting against his store, and that he was some
kind of benevolent uncle to the folks.

Marvin X exposes the situation of other ethnic groups invading black neighborhoods and making the lion’s share of profits from vice, while the media focus upon the mules of the operation, the pathetic and disgusting pimps, the drug dealers who are killing each other over profits that are piddling next to the great haul made by the suppliers of the guns and the drugs. Don’t expect the local newspapers to cover this end of the distribution.
       
Marvin X writes: “ The so-called Negro is the donkey of the world, everybody
rides him to success. If you need a free ride to success,jump on the Negro’s back and ride into the sunset. He will welcome you with open arms. No saddle needed, just jump on his back and ride him to the bank.”  

When you learn that the government ignored the dumping of drugs into our neighborhoods by their anti-communist allies, you can understand the meaning of Marvin X’s words. Not only are invading ethnic groups and white gun suppliers benefitting from using the black neighborhoods as a resource ,but the government as well.*

Marvin X also takes aim at the Dream Team academics who “parrot” the line
coming down from the One Percent that the problems of blacks are self-inflicted.
“The state academics and intellectuals joined loudly in parroting the king’s every wish. Thank God the masses do not hear them pontificate or read their books. After all, these intellectual and academic parrots are well paid, tenured and eat much parrot seed. Their magic song impresses the bourgeoisie who have a vested interested in keeping the song of the parrot alive.”
        
Marvin X’s answer to this intellectual Vichy regime has been to cultivate 
off campus intellectuals by conducting an open air classroom on 14th and Broadway, downtown Oakland, which is how the peripatetic philosophers like
Plato used to impart their knowledge in open air academies.

The Black Arts movement expanded the audience for poetry. It inspired thousands of young people to write. They are the grandmothers and grandfathers of the Hip Hoppers. They produced children who are high achievers. The only thing that could mar the Black Arts legacy is its tolerance for a lunatic fringe. One, who used to edit a black magazine, but hasn’t written a lick since the 1960s, came out here recently and was greeted warmly, when if you put some white skin on him and covered him with tattoos, he’d be indistinguishable from your ordinary low level skin head,without the Budweiser six pack.

I would give the Black Arts a mixed review. I’m the one who said that in
the global village, nationalism is the village idiot. But I have supported it in concrete ways because the Black Nationalist movement is the only roadblock to black culture becoming extinct!
     
Moreover,some of those who were Yacubists of the 60s changed. Muhammad Ali,who met with the KKK during the 1970s, recently attended his grand son’s Bar Mitzvah.
____________
* Parry, Robert “How John Kerry exposed the Contra-cocaine scandal,
Derided by the mainstream press and taking on Reagan at the height of his popularity, the freshman senator battled to reveal one of America's ugliest foreign policy secrets” Salon.com, Oct.25,2004


Ishmael Reed,author of “Going Too Far, Essays About America’s Nervous Breakdown”
Email: ireedpub@yahoo.com

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