While in Philadelphia participating in the 60th Birthday Celebration for imprisoned journalist Mumia Abu Jamal, Marvin X recruited a Dream Team of artists, activists, educators and promoters for the 27 City Black Arts Movement Tour. The following are a few of the persons who tentatively agreed to join the BAM Tour:
Dr. Cornel West, educator
Dr. Tony Montiero, educator
Dr. Muhammad Ahmed, educator
Fred Hampton, Jr., activist
Preston Muhammad, promoter
Alfie Pollitt, musician, arranger
Elliot Bey, musician
Pam Africa, activist
Maurice Henderson, producer
Abiodun, the Last Poets
Umar Bin Hasan, the Last Poets
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The BAM Poet's Choir and Arkestra performed at the Black Arts Movement Conference, University of California, Merced, Feb 28 thru March 2, 2014.
But more than the political and economic situation is the cultural condition, some of the reactionary values in hip hop culture, especially unconscious rap poetry, and even the socalled conscious poetry is, in the words of my daughter, an expression of the pseudo conscious, for words are not followed by the right action. As we know, talk is cheap! Sonia Sanchez would say the contradictions in hip hop were inherited from the Black Arts Movement contradictions. "Brothers talked Black Power but went home to beat their wives and partners. BAM children, i.e., the Hip Hop generation observed our behavior and emulated it."
Many times we heard Amiri Baraka speak about the need to reach our people in the 27 major cities we inhabit in large numbers—to reach out and touch them with healing Black Art that can restore our mental and physical wellness. In honor of ancestor Amiri Baraka, we propose to conduct a 27 city tour with concerts and wellness workshops to aid in the recovery of ourselves. Our special focus shall be on young Black men, although we cannot and will not ignore young black women, nor will we avoid adult and parental responsibility. Thus, this will be an inter-generational experience. Sly Stone told us, "It's a family affair!" And the O'Jays said it is a Family Reunion. When we come together as family and embrace with the words "I appreciate you!" the revolution is victorious!
BAM workers in each community will be recruited to participate and we would like to establish a BAM House or cultural center in each city, no matter if it is a 50 seat theatre as Amiri Baraka suggested. A staff of educators, mental and physical health workers must be a part of this project so that we more effectively deal with our wellness in a holistic manner.
National Advisory Board Members
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Marvin X, Producer/Director, Straight Outta Oakland, Black Arts
Movement 27 City Tour
photo Pendarvis Harshaw
For information and/or booking, contact:
Marvin X
jmarvinx@yahoo.com
510-200-4164
Dr. Cornel West, educator
Dr. Tony Montiero, educator
Dr. Muhammad Ahmed, educator
Fred Hampton, Jr., activist
Preston Muhammad, promoter
Alfie Pollitt, musician, arranger
Elliot Bey, musician
Pam Africa, activist
Maurice Henderson, producer
Abiodun, the Last Poets
Umar Bin Hasan, the Last Poets
The BAM Poet's Choir and Arkestra performed at the Black Arts Movement Conference, University of California, Merced, Feb 28 thru March 2, 2014.
Abstract for the Black Arts Movement 27 City Tour
The mission of the Black Arts Movement’s 27 City Tour is to continue the cultural revolution we initiated during the 1960s. This cultural revolution is still needed because for a variety of reasons the Black Arts Movement was aborted due to the radical nature of our task which was the liberation of our people in harmony with the political movement. Today, the need to address the political condition is critical, yes, even with the election of a non-white president, though this president has done little to address non-white issues, especially the high unemployment of youth, the high incarceration rate of 2.4 million and the deportation rate of two million so called illegal immigrants since President Obama took office.
But more than the political and economic situation is the cultural condition, some of the reactionary values in hip hop culture, especially unconscious rap poetry, and even the socalled conscious poetry is, in the words of my daughter, an expression of the pseudo conscious, for words are not followed by the right action. As we know, talk is cheap! Sonia Sanchez would say the contradictions in hip hop were inherited from the Black Arts Movement contradictions. "Brothers talked Black Power but went home to beat their wives and partners. BAM children, i.e., the Hip Hop generation observed our behavior and emulated it."
But most important is the overall lack of mental health wellness in our community nationwide, to say nothing of physical wellness. The high rate of homicide among young North American African men is symptomatic of a lack of manhood training or the infusion of traditional values that inspire and motivate people to be the best they can be, to give honor and respect to their elders and ancestors.
The 50% or more drop out rate of students in our schools is partly the result of our dire mental health condition. Alas, it is said not only is there a critical need for a positive curriculum and teachers with an undying love for our children, but the mental health condition of our children requires mental health counselors with radical values of wellness based on a holistic approach to solving our myriad psycho-social and economic issues.
We are dumbfounded to learn the USA (Bush and Obama) promised the young men in Iraq, Afghanistan and elsewhere (except in the USA) three items if they stop their violence and pledge allegiance to the constitution of their lands: education, jobs and housing. Why not offer education, jobs and housing for the boyz and girls in the hood?
The BAM tour will address some of these issues through the medium of art, i.e. poetry, drama, dance, music, graphics. While art therapy has been used in traditional cultures, and was utilized in the Black Arts Movement, there must be a concerted effort to make use of art in the healing of our people. Throughout the years, we have seen the power of art in changing destructive personalities. We recall the production we did of Amiri Baraka’s play Dutchman in Fresno CA. The local pimp loaned us a wig for the female character Lula. When he viewed the play and saw her stab the young North American African male, Clay, this rocked the pimp’s world and he threw in his pimping towel, joined the Nation of Islam and eventually became an imam and made his haj or pilgrimage to Mecca. Thus we see the power of art to heal broken, self destructive and economically damaged personalities.
We are dumbfounded to learn the USA (Bush and Obama) promised the young men in Iraq, Afghanistan and elsewhere (except in the USA) three items if they stop their violence and pledge allegiance to the constitution of their lands: education, jobs and housing. Why not offer education, jobs and housing for the boyz and girls in the hood?
The BAM tour will address some of these issues through the medium of art, i.e. poetry, drama, dance, music, graphics. While art therapy has been used in traditional cultures, and was utilized in the Black Arts Movement, there must be a concerted effort to make use of art in the healing of our people. Throughout the years, we have seen the power of art in changing destructive personalities. We recall the production we did of Amiri Baraka’s play Dutchman in Fresno CA. The local pimp loaned us a wig for the female character Lula. When he viewed the play and saw her stab the young North American African male, Clay, this rocked the pimp’s world and he threw in his pimping towel, joined the Nation of Islam and eventually became an imam and made his haj or pilgrimage to Mecca. Thus we see the power of art to heal broken, self destructive and economically damaged personalities.
Many times we heard Amiri Baraka speak about the need to reach our people in the 27 major cities we inhabit in large numbers—to reach out and touch them with healing Black Art that can restore our mental and physical wellness. In honor of ancestor Amiri Baraka, we propose to conduct a 27 city tour with concerts and wellness workshops to aid in the recovery of ourselves. Our special focus shall be on young Black men, although we cannot and will not ignore young black women, nor will we avoid adult and parental responsibility. Thus, this will be an inter-generational experience. Sly Stone told us, "It's a family affair!" And the O'Jays said it is a Family Reunion. When we come together as family and embrace with the words "I appreciate you!" the revolution is victorious!
We estimate the overall budget for this project will be 2.7 million dollars at $100,000 per city, including artist fees, promotion, advertisement, rental of venues, insurance, security, lodging, food,transportation and documentation. Since many of the Black Arts Movement workers are elders, the timeline would be at least three years to complete this project, including planning and production.
BAM workers in each community will be recruited to participate and we would like to establish a BAM House or cultural center in each city, no matter if it is a 50 seat theatre as Amiri Baraka suggested. A staff of educators, mental and physical health workers must be a part of this project so that we more effectively deal with our wellness in a holistic manner.
Sincerely,
Marvin X, Project Director
The Black Arts Movement 27 City Tour
Philadelphia PA
4/23/14
510-200-4164
National Advisory Board Members
Mrs. Amina Baraka
Sonia Sanchez
Askia Toure
Mae Jackson
Rudolph Lewis
Maurice Henderson
Emory Douglas
Troy Johnson
Kalamu Ya Salaam
Eugene Redman
Kim McMillan
Ayodele Nzinga
Geoffery Grier
Nefertiti Jackmon
Muhammida El Muhajir
Jessica Care Moore
Paul Cobb
Conway Jones
John Burris
James Sweeney
Fahizah Alim
Nisa Ra
Aries Jordan
Billy X Jennings
Sam AndersonBilly X Jennings
Marvin X, Producer/Director, Straight Outta Oakland, Black ArtsMovement 27 City Tour
photo Pendarvis Harshaw
For information and/or booking, contact:
Marvin X
jmarvinx@yahoo.com
510-200-4164