Coming soon from Black Bird Press: Sweet Tea/Dirty Rice, New and Selected Poems by Marvin X

Sweet Tea/Dirty Rice

 New and Selected Poems  

Marvin X

Sweet Tea/Dirty Rice is raw, beautiful, painful, low-down and funky, uplifting like hearing Nat Turner has risen.--from the introduction, Dr. Ayodele Nzinga, BAM Oakland, founder, Lower Bottom Playaz

He has always been in the forefront of Pan African writing. Indeed, he is one of the founders and innovators of the revolutionary school of African writing.

--Amiri Baraka   

Marvin X is the USA’s Rumi...X’s poems vibrate, whip, love in the most meta- and physical ways imaginable and un-. He’s got the humor of Pietri, the politics of Baraka, and the spiritual Muslim grounding that is totally new in English –- the ecstasy of Hafiz, the wisdom of Saadi.  

--Bob Holman, Bowery Poetry Club, New York City

His love poems will resound as long and as deeply as any love poems ever written by anyone: Shakespeare, Elizabeth Barrett Browning, Sonia Sanchez, Maya Angelou.

--Fahizah Alim

...This is more than poetry--it is singing/song, it is meditation, it is spirit/flowing/flying, it is blackness celebrated, it is prophecy, it is life, it is all of these things and more, beyond articulation....

--Johari Amini (Jewel C. Lattimore)

With respect to Marvin X, I wonder why I am just now hearing about him-I read Malcolm when I was 12, I read Amiri Baraka and Sonia Sanchez and others from the BAM in college and graduate school-why is attention not given to his work in the same places I encountered these other authors? Declaring Muslim American literature as a field of study is valuable because recontextualizing it will add another layer of attention to his incredibly rich body of work.He deserves to be WAY better known than he is among Muslim Americans and generally, in the world of writing and the world at large. By we who are younger Muslim American poets, in particular, Marvin should be honored as our elder, one who is still kickin, still true to the word!

--Dr. Mohja Kahf, Professor of English and Islamic Literature, University of Arkansas, Fayetteville

When you listen to Tupac Shakur, E-40, Too Short, Master P or any other rappers out of the Bay Area of Cali, think of Marvin X. He laid the foundation and gave us the language to express Black male urban experiences in a lyrical way.